A Quote by Deborah Smith

Khairani Barokka is a writer, spoken-word poet, visual artist and performer whose work has a strong vein of activism, particularly around disability, but also how this intersects with, for example, issues of gender - she's campaigned for reproductive rights in her native Indonesian, and is currently studying for a PhD in disability and visual cultures at Goldsmiths. She's written a feminist, environmentalist, anti-colonialist narrative poem, with tactile artwork and a Braille translation. How could I not publish that?
I think that there's a strong crossover in that Janis, studying the visual arts, was learning how to break it down into details and see how to get the expression that we wanted. And her visual art is emotionally expressive as her singing was. And, I think, when she switched over to singing, she already knew that it was something serious that you broke into pieces so she developed the ability to break it down and learn little riffs that she could throw in here and there.
My mother was a tremendous woman. I was just cleaning up old trunks and I found a book with her notes written during the war years, in the 1940s. She was studying in Lahore, which became Pakistan. She was writing about how women alone could bring peace to the world, that the men with all their greed and egos were creating all these tensions and violence. I always knew she was a feminist, ahead of her time.
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
Madonna, I think, is the greatest visual musical artist that we've ever had. If you look at her photo log, the photographers that she was able to work with throughout her career framed her in the proper way. It was the proper context. It was that visual that made sure that everything was gonna cut through in a certain way.
Julie Johnston is what I would call a loud central defender, as far as how she tackles and how she plays - you notice her. And you notice her in a positive way. She's a destroyer. She interrupts plays and tackles the crap out of people. That's a very visual thing.
It seems that's where Bill Clinton came in last night because he told this long story about how they met [with Hillary Clinton], how he courted her, how he bought a house to convince her, I think after the third proposal, to actually marry him. And he talked about her activism and her commitment and everything. And it was as if he could tell the narrative in a way that she couldn't.
Nicki Minaj is a very strong woman who knows exactly what she wants. As an artist, I understand her, and I could see how she could be misunderstood by a lot of people, but she is really passionate about her art, and that's something I really admire about her.
One thing I did have under my belt was, my mother lost her mother when she was 11. She mourned her mother her whole life and made my grandmother seem present even though I never met her. I couldn't imagine how my mom could go on but she did, she took care of us, she worked two jobs and had four children. She was such a good example of how to conduct oneself in a time of grief. When I lost my husband, I tried to model myself as much as I could on her.
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
Being around Lily Tomlin has been great, how she treats people, how she handles herself, how she goes about interpreting her character or deciding how the comedy should work.
There are millions of people out there ignoring disabilities and accomplishing incredible feats. I learned you can learn to do things differently, but do them just as well. I've learned that it's not the disability that defines you, it's how you deal with the challenges the disability presents you with. And I've learned that we have an obligation to the abilities we DO have, not the disability.
She walked quickly around her one-room apartment. After more than four years in this one home she knew all its possibilities, how it could put on a sham appearance of warmth and welcome when she needed a place to hide in, how it stood over her in the night when she woke suddenly, how it could relax itself into a disagreeable unmade, badly-put-together state, mornings like this, anxious to drive her out and go back to sleep.
What stands out to me most about Maya Angelou is not what she has done or written or spoken; it's how she lived her life. She moved through the world with unshakable calm, confidence and a fierce grace.
She liked to imagine that when she passed, the world looked after her, but she also knew how anonymous she was. Except when she was at work, no one knew where she was at any time of day and no one waited for her. It was immaculate anonymity.
If you're going to be a visual artist, then there has to be something in the work that accounts for the possibility of the invisible, the opposite of the visual experience. That's why it's not like a table or a car or something. I think that that might even be hard for people because most of our visual experiences are of tables. It has no business being anything else but a table. But a painting or a sculpture really exists somewhere between itself, what it is, and what it is not-you know, the very thing. And how the artist engineers or manages that is the question.
My mom was an orphan, and there was never anybody to tell her what she could or couldn't do. At the core, she's probably an artist - an artist and a feminist.
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