A Quote by Deborah Harkness

I'm a storyteller, and I have really good material to work with: I've been studying magic and the occult since about 1983. — © Deborah Harkness
I'm a storyteller, and I have really good material to work with: I've been studying magic and the occult since about 1983.
Magic has been something I've been really good at since I was really young. The ability has always come easy to me, I'm not sure why.
The genre of fantasy is about magic and occult characters.
My experience in work, even going to work with Scorsese, is that people always think there's some magic trick. There's no magic trick. The people who are really good at what they do do simple things really, really well.
The occult sciences were simply ancient technologies for making the occult or unseen manifest in the world - whether that was the influence of the stars and planets, the mysterious meanings of lines inscribed in your palm, or forms of action at a distance like magic and spells.
I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it.
The occult stuff, I grew up having a fascination about world religion and that fascination grew into other religions and other things and I kind of dabbled my way into the occult and started reading about the occult.
We've been here since 1983 as a band.
It's experiences in life that give us something to write about, and since good fiction is applied tension, you'll have an arsenal of good material if life hasn't been peachy (and not a whole lot if it has).
I've been in Parliament since 1983, and I've been involved in many issues over the time.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
It's been a long time since we've been out there playing new material, and we have really enjoyed that. Of course we still enjoy playing the Yes standards as well, but it's great to have a bit of a challenge and pull off new material.
Sometime really good writing does you a disservice as an actor. Because you can get lazy. It's doing a lot of the work for you. I guess that's good. But at the same time with material that's not so good, you have to be more inventive, because no thought has been applied to it.
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
In 1983, I set up Caxton Corp. Its been an interesting and happy ride since.
You know how hard it's been to write material? Because to do stand-up comedy, it takes time for the material to develop. So you'll come up with a joke, you'll tweak it, you'll work it for six months, you really fine tune it, and now you've got a good bit. Well, with Trump, every day there's something new coming out.
In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.
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