A Quote by Debra Stephenson

Criticism is frightening. — © Debra Stephenson
Criticism is frightening.
I think the whole emphasis in England, in universities, on practical criticism (but not that so much as on historical criticism, knowing what period a line comes from) this is almost paralysing. In America, in University, we read - what? - T. S. Eliot, Dylan Thomas, Yeats, that is where we began. Shakespeare flaunted in the background. I'm not sure I agree with this, but I think that' for the young poet, the writing poet, it is not quite so frightening to go to university in America as it is in England, for these reasons.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
Nice criticism is good when it tells you something. A lot of negative "criticism" isn't criticism at all: it's just nasty, "writerly" cliché and invective.
That was one of the big problems in the [Black Panther] Party. Criticism and self-criticism were not encouraged, and the little that was given often wasn’t taken seriously. Constructive criticism and self-criticism are extremely important for any revolutionary organization. Without them, people tend to drown in their mistakes, not learn from them.
I find George Bush and Dick Cheney frightening, Donald Rumsfeld and John Ashcroft frightening.
The only way to avoid all frightening choices is to leave society and become a hermit, and that is a frightening choice.
In some roles you do get into a mode of terror. It's always very frightening - the first audiences are frightening.
No one has any idea what's next... the uncertainty of the business climate in America is frightening, frightening to everybody, and it's delaying the recovery.
Accept criticism. If you do not offer your work for criticism and accept that criticism, meaning give it serious thought and attention, then you will never improve.
Teen authors love to flirt with taboo, to grapple - sensitively - with dark and frightening issues, and there is nothing darker and more frightening than cancer.
Certainly professionally, yes [I was interested more in history]. And literary criticism, the structure of poetry. But it is primarily as a historian that I work, although text criticism and literary criticism are very much a part of my interests.
Since the war nothing is so really frightening not the dark not alone in a room or anything on a road or a dog or a moon but two things, yes, indigestion and high places they are frightening.
People who avoid all criticism fail. It's destructive criticism we need to avoid, not criticism in all forms.
People are more interested in reading bombastic ideas, whether they're positive or negative. Part of me has sort of lost interest in doing criticism because of that. I've always realized that criticism is basically autobiography. Obviously in my criticism, it's very clear that it's autobiography, but I think it's that way for everybody.
I always say the strength of democracy lies in criticism. If there is no criticism, that means there is no democracy. And if you want to grow, you must invite criticism. And I want to grow; I want to invite criticism.
I appreciate good criticism and I think it's really important. I don't like it when it's consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature. I've written some criticism, and I really enjoy it because I think it's important for people to know that theatre is vital. Criticism is really unevenly distributed in this town. Obviously the power of the Times is discouraging. It's killing new plays, demolishing one after another.
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