A Quote by Dale Jamieson
We know the "great men" and a handful of heavily cited papers in our specialization. When there is a historical frame around a paper it's often a caricature that has become canonical.
Related Quotes
The superpowers often behave like two heavily armed blind men feeling their way around a room, each believing himself in mortal peril from the other, whom he assumes to have perfect vision.
I've often wondered if the trade-off for growing up in the relative newness and freshness of the West Coast was befuddlement when it comes to historical preservation. We don't have many old things, and we don't really know what to do with the few that are around when our default response is to compost or field burn.
Artists often become vocal advocates of freedom of expression because we depend on it so heavily in our work. But it is an inalienable right that belongs to everyone on an equal basis.
We may say that hysteria is a caricature of an artistic creation, a compulsion neurosis a caricature of a religion, and a paranoiac delusion a caricature of a philosophic system.
Of course, our failures are a consequence of many factors, but possibly one of the most important is the fact that society operates on the theory that specialization is the key to success, not realizing that specialization precludes comprehensive thinking.
The papers that flourish will be papers that serve a national audience. Papers that have figured out how to make the transition to the electronic platform that aren't simply providing a duplicate experience of the words on paper experience, but are doing something that arises organically from the new electronic medium. It's really just a matter of finding the right platforms for the way people want to read newspapers. I mean, maybe it will be the iPhone. But one way or another, newspapers on paper are just not really going to exist to any significant degree within a decade.
When I was 10, I had a paper route. One year, I delivered my papers through a hurricane. My mother was against the idea, but my dad, who was a sergeant in the Marine Corps, overruled her. I was determined to deliver my papers.
Society thrives on trade simply because trade makes specialization possible, and specialization increases output, and increased output reduces the cost in toil for the satisfactions men live by. That being so, the market place is a most humane institution.
What I say is that there are not half a dozen papers in the United States which tamper with the news, which publish what they know to be false. But if I thought I had done no better than that, I would be ashamed to own a paper. You have to make everyone connected with the paper believe that accuracy is to a newspaper what virtue is to a woman.
The journals want the papers that make the sexiest claims. And scientists believe that the way you succeed is having splashy papers in Science or Nature - it's not bad for them if a paper turns out to be wrong, if it's gotten a lot of attention.
I do think there is a great deal of caricature around the House of Commons. It is just that kind of place.
The superpowers often behave like two heavily armed blind men feeling their way around a room, each believing himself in mortal peril from the other, whom he assumes to have perfect vision. Each side should know that frequently uncertainty, compromise, and incoherence are the essence of policymaking. Yet each tends to ascribe to the other a consistency, foresight, and coherence that its own experience belies. Of course, over time, even two armed blind men can do enormous damage to each other, not to speak of the room.
The national media don't know me. They know the caricature that was created of me by journalists who were frankly jealous of my access. And it was a very negative caricature. There's this propensity for blaming a woman. It comes down to implicit bias. There are so many studies that show this.
I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe.
Each of us carries around those growing up places, the institutions, a sort of backdrop, a stage set. So often we act out the present against the backdrop of the past, within a frame of perception that is so familiar, so safe that is is terrifying to risk changing it even when we know our perceptions are distorted, limited, constricted by that old view.
When I travel around the country, I see great companies with new ideas and a can-do attitude. But too often they are in hand-to-hand and pen-to-paper combat with officialdom.
Related Authors
Barack Obama Quotes
American
President
Benjamin Franklin Quotes
American
Politician
Cassandra Clare Quotes
American
Author
Deepak Chopra Quotes
American
Speaker
Donald Trump Quotes
American
President
Frederick Lenz Quotes
American
Author
George W. Bush Quotes
American
President
Henry David Thoreau Quotes
American
Author
Hillary Clinton Quotes
American
Politician
Mark Twain Quotes
American
Writer
Noam Chomsky Quotes
American
Activist
Ralph Waldo Emerson Quotes
American
Philosopher
Rick Riordan Quotes
American
Author
Rush Limbaugh Quotes
American
Entertainer
Sherrilyn Kenyon Quotes
American
Writer
Thomas Jefferson Quotes
American
President