A Quote by Dale Chihuly

I never met a color I didn't like. — © Dale Chihuly
I never met a color I didn't like.
I never met a color I did not like.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
I've never seen a boy band that had members who look like us - kids of color from all over the world - and met on the Internet.
I've never met a color I couldn't love.
Ted Cruz is a liar. I never met a liar like him. I met a lot tougher people than him but I never met a guy who lies this much.
Yeah, well, don’t worry about it. I’ve never met a Daimon yet I couldn’t take. (Wulf) Guess again, little brother. You just met one, and trust me, he’s not like any you’ve ever met before. He makes Desiderius look like a pet hamster. (Acheron)
I despair of reality television, but I've never met anyone who watches it. Or people say, 'I watch it, but I hate it.' I've never met anyone who loves it. It's like, it's there, and we have to accept it.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
I never met a man I didn't like until I met Will Rogers.
And I found Jesus very disturbing, very straightforward. He wasn't diplomatic, and yet I felt like if I met Him, He would really like me. Don, I can't explain how freeing that was, to realize that if I met Jesus, He would like me. I never felt like that about some of the Christians on the radio. I always thought if I met those people they would yell at me. But it wasn't like that with Jesus.
As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
I've never been one for color theory or color wheels or undertone rules or anything like that. I don't know if my red lipstick 'should' be more blue or more orange.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
I grew up at this incredibly odd intersection in Los Angeles, where it felt like the black 'hood met black elegance met white gentrification met Latin culture met wetlands.
I sometimes feel I have met everyone he ever met, but I never met him. I am afraid to say I have always been - the word I would have to use is - amused by Howard Hughes.
I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
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