A Quote by Demian Bichir
There are some actors that are so gifted, that move you in such a way that every time you see their names again, you go and pay another ticket because you want to have that experience again.
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The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
Sometimes a book I'm reading is so terrific that when I finish, I simply turn back to page one and start all over again to see what I've missed, to experience it again, more deeply, or because I don't want to let it go.
Actors want to do Shakespeare again and again, or want to do Hamlet. When you hear one guy do Hamlet and another guy do it, it's going to be a whole different experience.
Again and Again, however, we know the language of love, and the little churchyard with its lamenting names and the staggeringly secret abyss in which others find their end: again and again the two of us go out under the ancient trees, make our bed again and again between the flowers, face to face with the skies
Please, please. Don't cry like that. I'm going to go mad. I don't want to see you again. I need to see you again... I'm sick of it. Because as soon as we have to say goodbye... I want to die. (Ritsuka)
You hear again and again that audiences want to see movies that are different, and critics say we make the same thing again and again in Hollywood, then you go and make something different, and you get kicked in the gut for it.
You hear again and again that audiences want to see movies that are different and critics say we [directors] make the same thing again and again in Hollywood, then you go and make something different and you get kicked in the gut for it.
That's always the plan any time you lace them up, any time you get out there, you want to win [ Super Bowl]. And you want to win the whole thing. Especially having been there before, you want to go back there again and again and again.
I want to see a revolution of kindness, because what happens is, when you're kind and you give, it's infectious. You give one time, and it's a great feeling and you want to do it again and again.
Some actors like encouragement. Some actors prefer to have pressure. And sometimes, for some actors, its better to give your comment by silence, because they are so skillful, so gifted, that they understand without talking too much.
For four years, Americans have waited for the faintest light to flicker at the end of the tunnel. And this President has let them down again and again and again. It is time to move on. It is time for a leader who will lead. That leader is Mitt Romney.
The names of the cerros and the sierras and the deserts exist only on maps. We name them that we do not lose our way. Yet it was because the way was lost to us already that we have made those names. The world cannot be lost. We are the ones. And it is because these names and these coordinates are our own naming that they cannot save us. They cannot find for us the way again.
I've worked with some actors who have such thick skins and think they are so extraordinary. I'll think, 'Have you stopped learning?' They stop listening to directors or other actors and do the same thing again and again.
Entities have died, but what they seek is life again. They miss it. They want to experience food again, basic things. They are low on the evolutionary scale. They want to experience the joy of destroying something.
In my films, I like to use the same actors again and again, so I know them really well and can bring their unique personalities into the process. However, as a director, I have strict control over the way they express their personalities. I don't want them to go beyond what I need from them, but I also don't want them to underplay. So I modulate their performances very closely, within a certain range of expression.
I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
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