A Quote by Demian Bichir
I left my parents' home when I was 22, I moved to New York with my ex-girlfriend. We did a film together with Raul Julia.
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It was in New York, and I've always wanted to film in New York. And the writer was a teenage friend of mine. We did youth theatre together when we were 16 and always had a dream of making a film together. And ten years later, we've done it. So it's great.
My parents left Iran in 1979 and moved to France and then moved to the U.S. My brother was born in France and I was born in New York, and then we moved to D.C.
I always thought I would move to New York after graduation, but, instead, I moved to Los Angeles. I realized I was more scared of that choice than I was of New York, and I thought, at 22, I should get it over with.
If only I had grown up worshipping Julia Child. I was already grown up - thank you very much - when Julia Child's book was published. When I moved to New York in 1962, you had to own it.
I moved to New York when I was 21 or 22 as a graduate fellow.
My parents left Iran in 1979 and moved to France and then moved to the U.S. My brother was born in France and I was born in New York. I think my parents left France because they felt their kids would never be accepted by French culture. Here they thought we could feel American - that we could feel safe in that way - which was important to them, given what their experiences were in Iran. They used to joke about how I could be president because I was the only one born in America.
I know it affected me when I saw certain actors growing up. I had a drama teacher that would take us to see plays in New York, and it was seeing James Earl Jones and Raul Julia - I mean, this guy comes from the place my mother comes from. He's doing Shakespeare right now, and it doesn't seem to matter that he has an accent.
My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.
I peeled off La Brea and went home and instantly made a reservation to come back to New York. Essentially, I fired everybody that was in my life, my agent, my lawyer, my manager, my girlfriend and came back to New York.
I did live in New York. Yeah, I moved to L.A. for 'Community.' And I gave up my apartment in New York.
I was raised in New York and spent two years in Rio. My parents met at the University of Southern Mississippi, and they had me there, and then we moved to New York. I'm not very familiar with Mississippi.
I moved to New York at 17 to go to school. At 24, I moved back to Ithaca, then moved back to New York at 28.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
When I went to college, I did clothing and textiles. It really wasn't until I moved to New York, my second night in, I did stand-up. I took a wild left turn, and instead of going back and finishing school at FIT, I started doing stand-up and acting.
I moved to New York in 2003, I was a very young 22-year-old, so I just kind of started finding my way as a human and was working odd jobs here and there.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
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