A Quote by Denzel Curry
I'm just going to express my opinion and try to change the way people think with the stuff I write or try to get deep into stuff that other people haven't got deep into.
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I don't believe that people are robots. I think you should try to get personal, try to put yourself in the film in a deep way, and try to give that to the viewer, even if some of them will not connect with that kind of universe and surreality.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
I don't really collect anything. I grew up in a family that collected things and then they'd get sick and people die and then they have their basements full of stuff that goes from one box to the next, so I try not to get sentimental with stuff. I just try to collect memories.
I don't really collect anything. I grew up in a family that collected things, and then they'd get sick, and people die, and then they have their basements full of stuff that goes from one box to the next, so I try not to get sentimental with stuff. I just try to collect memories; I guess that would be it.
I never write something and consciously embed political commentary or any other kind of commentary. I just try to get the characters into a room or out of a room, or onto the plane, or through the grocery store. The political stuff, the class stuff, the gender stuff, is in the air, it's in their interactions, because it's there for all of us.
People often can't separate, or can't understand, that to be funny is to be serious; it's a way of pulling people in and not scaring them off. I think a lot of the funny stuff, underneath it, there's a deep anxiety going on.
I'm trying to change the way people approach knowledge and information in general. I think that to try to own knowledge, to try to control whether people are allowed to use it, or to try to stop other people from sharing it, is sabotage.
I've never had a divorce, but I've seen so many of my friends, my sister, my family go through that stuff, so I try to write for the people that can't write about it. I take on their sorrow, so I'm able to kind of express it, or their joy.
If you can express something in the simplest way possible, I think there's something noble in that. It's easy to flesh stuff out and get all purple with it, being cryptic and wearing masks... I think it's a bit adolescent. I wanted to write in a way that was vulnerable. I wanted to have courage in stripping back the opaque stuff so it was just raw. I like lyrics that are a lifeline, that have a purpose to them and are not just meandering around in a masturbatory way. They cut the page.
With voice acting it just matters what your voice can do. There are some things that I won't get over other people because my register isn't as deep as other people. So if someone wants a deep, dark, brooding villain voice then they are probably not going to pick me.
After the whistle, during the whistle. Guys try to sneak stuff in. I just have to be uncompliant with stuff like that. Guys feel they can get away with stuff. I have to just try to not get back at him but make sure I finish through him during the whistle and not do anything that can jeopardize the team or that series of downs.
When I write I like to just say everything that people think about but never express vocally. I just get deep into it; I'm a bit obsessive about music.
You get a sense that it's okay to have good stuff and still claim a relationship with God. So enslaved Africans rethought their predicament in a way that entailed getting good stuff, material stuff, and having a deep relationship with God. There was no contradiction. And the idea just moves forward from there.
Sometimes words just don't get you there... don't let you say all the stuff from deep in your heart, stuff that no dictionary has a name for.
I've got a lot of wonderfully talented, creative directors I've worked with in Texas, but the market we're in, they kind of have to write to that. I think we've done some cool, simple spots. I was very comfortable in Texas, and getting ready to push out into national stuff, try to get to that national-type creative, and then I got sidetracked with this stuff.
Stuff with a group, stuff where there are other people around, I'll try that.
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