A Quote by Denis O'Hare
My first paying gig was a play called 'The Voice of the Prairie' at a theater that no longer exists in Chicago called Wisdom Bridge. I played a fast-talking radio huckster - a salesman of crystal sets in the 1920s - and I actually won an award. Look at that! And then promptly didn't get hired for a year.
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I was the music director at a dinner theater called the 'Pheasant Run Theater' in the suburbs of Chicago, and that was my side gig while I acted.
The first paying voice-over gig I ever got was for a company called Harvard Community Health Plan, which is a Boston-based New England health care provider. I inherited a deep, gravelly voice from my dad, who has always claimed that if I ever get injured, he'll just take over for me.
I did a play I think my first six months on the show, called Bullpen. Then I got involved with Theater Forty and did this play called Plastic which is about two male models coming to a casting call.
My first professional job was actually at a place called Opryland U.S.A., which no longer exists, but I've been performing since I was a kid.
My first professional job was actually at a place called Opryland USA, which no longer exists, but I've been performing since I was a kid.
We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.
Every week, as an 11-year-old kid, I would tune in to what was really the first American Idol-type program, a radio show called 'Major Bowes' Amateur Hour.' The winning group on the evening of September 8, 1935, was called the Hoboken Four, and their spokesman was Frank Sinatra, then aged 19.
My first professional gig was on a show called 'Nikita,' and I played Al Qaeda No. 2. At that time I had to take those roles because I just wanted to get my foot in the door.
It scared me to death to think about improv, but I got hired for a year at Second City in Chicago, which made me nervous, but I found I could improvise. Then I was in a group called the Ace Trucking Company, which we'd do, like, a half hour set of material, then open up for improvisation.
There was a concept a long time ago that you would do a different type of reactor called a "fast reactor," that would make a bunch of another element called plutonium, and then you would pull that out, and then you would burn that. That's called "breeding" in a fast reactor. That is bad because plutonium is nuclear weapons material. It's messy. The processing you have to get through is not only environmentally difficultly, it's extremely expensive.
My father actually moved out from Chicago just so he could play tennis 365 days a year, so it was - it was a place we played every day. We played before school. We played after school. We woke up. We played tennis. We brushed our teeth in that order.
A band that we supported called Blackfish in Manchester, played the most insane gig I've ever been to. Everything was set on fire, and then they came on and played one of the coolest gigs I've ever seen.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called "A Banquet for the Moon." It was a weird play.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
My first movie was this independent that I did on the Erie Canal in 1995, called Erie, that I don't know if you could even get, actually with Felicity Huffman. And then from that I did this film that was eventually called The Broken Giant later that fall. And then I kind of started getting into doing pilots.
I stream this radio station, Radio Nova, that's based in Paris. They curate a beautiful set that's really all over the place - they'll play blues or some West African music, then A Tribe Called Quest, then funk from Ethiopia, then James Brown, and then the Beatles. It's an amazing mix.
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