A Quote by Dennis Christopher
I'd always keep going back to the acting. Once the rent was paid, and the phone bill, the next money you had was for acting classes.
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But 'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
I hate acting classes. I did a few, but I've always hated acting classes. I prefer to just watch a movie or watch TV and take it from there.
I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".
I was in acting classes from the age of 9, dance classes, music classes - my mom put a lot of energy and attention into me, so no matter what happened in my life, I always had this basis of discipline. So I really worked hard for everything I had from a very early age.
I began acting when I was very young, maybe 5 or so? Just by going to acting classes and that sort of thing.
Once I was in L.A., I realized anyone could act. Why not give it a shot? I started going to a ton of acting classes, and I found I had a real passion for it, probably the biggest passion I've ever had in my whole life.
For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting.
I've never worked with an acting coach, but my parents had acting classes and I grew up around them my whole life just because I didn't have a babysitter.
Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.
Dance was one of the things that led me to acting even though I say I fell in love with acting fairly early on and its true but around 16 and 17 I got heavily into dance but I think I just came into it too late and I was never going to be really great at it so I let it go and the dance led to more acting classes.
At Hofstra, I got a very well rounded education. I studied acting, but they wouldn't let me just study acting. I had to take classes in play analysis, directing, producing. I had no idea this would ever be relevant. And, of course, it's what I used the rest of my life.
I'd always be loaning my sister money, knowing full well I wasn't going to get it back. But she had the kids, and that paid me back.
There's a competitive grief atmosphere in acting classes. Like, whoever has the biggest trauma is sort of like the winner of the day today or gets the A+. That, I could identify with from when I sort of dabbled with method acting classes when I was a teenager.
I had been taking acting classes on and off while I was modeling, so I always had a dream to be in a film.
The first of the month falls every month, too, North or South. And them white folks who sends bills never forgets to send them-the phone bill, the furniture bill, the water bill, the gas bill, insurance, house rent.
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