A Quote by Dennis Farina
I'd love to do a Western. A real Western like John Ford used to do. There's not too many of them made, so I don't know if I'll ever get to do that. They're awfully hard movies to make.
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I tend to lean more towards the Westerns of the 40s and 50s as opposed to the 60s and 70s. They get a little too drab for me when you get into the Spaghetti Western era. I love the John Ford movies. I love the music. I love the scope.
There's so many great Western films. Let's see, 'Red River,' any of those Henry Fonda movies are fantastic. Any of those John Ford movies are fantastic. I love all the Eastwood 'Man With No Name' movies, John Wayne, 'True Grit.'
I don't like my movies. I prefer John Ford's movies. I've made some movies that are interesting, or that have some point, or are more or less beautiful. But I've never made anything big to me, from my point of view. "Big" like John Ford or someone of that kind. I say John Ford because he is my favorite director.
I love researching, whether it's old Western documentaries or old Western country singers or John Ford Westerns, which are heavily influenced by family values, which so many of these country songs are related to.
I wish I was making movies back in the days when John Ford made movies and you were a director under contract to a studio. John Ford had years when he made three movies in a year.
I love researching, whether it's old Western documentaries or old Western country singers or John Ford Westerns, which are heavily influenced by family values, which so many of these country songs are related to. I'm having a good time doing that, and writing some treatments and hoping to bring a new style of music video to the country genre, that is starting to become very poppy.
Of course, 'True Grit' is a Western, but we never considered our film a classical Western and honestly never thought about genre at all. We didn't talk about John Ford or Sergio Leone, even though we like their films. Really, we were driven only by our enthusiasm for Charles Portis's book.
Typically, in Westerns, people who are in a Western feel like they're in a Western. It's almost like they know they do all these Western things.
The idea of doing a children's film is different, but quite honestly I like doing anything - any genre. I've only made one Western, which was 'Three Amigos,' but I would love to make a serious Western. I'm just wide open.
In a traditional Western there's always the bravado, and it's almost like they're winking that they know they're in a Western - "Look how good I can spin my gun." In real life, when the bad guy kills somebody, or they're bad guy friend gets killed, they're upset, too, which is not typical in Westerns.
I watched Westerns from the time I was a girl. My dad was a big Western fan. I always loved Clint Eastwood movies and Westworld, where the guy gets trapped in a western-themed amusement park. The western motif was fascinating to me.
I watched Westerns from the time I was a girl. My dad was a big Western fan. I always loved Clint Eastwood movies and 'Westworld', where the guy gets trapped in a western-themed amusement park. The western motif was fascinating to me.
We still insist, by and large, in thinking that we can understand China by simply drawing on Western experience, looking at it through Western eyes, using Western concepts. If you want to know why we unerringly seem to get China wrong... this is the reason.
As I have pointed out, it is the Christian tradition that is the most fundamental element in Western culture. It lies at the base not only of Western religion, but also of Western morals and Western social idealism.
I don't like being on a horse. That's the only negative of doing a Western. I like the whole get up, and I look great in a hat. But I get tense around horses. So, if they could make a fake horse, then I'd do a Western.
No civilisation, not even that of ancient Greece, has ever undergone such a continuous and profound process of change as Western Europe has done during the last 900 years. It is impossible to explain this fact in purely economic terms by a materialistic interpretation of history. The principle of change has been a spiritual one and the progress of Western civilisation is intimately related to the dynamic ethos of Western Christianity, which has gradually made Western man conscious of his moral responsibility and his duty to change the world.
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