A Quote by Derek Trucks

It was pretty surreal because The Allman Brothers' 'Eat A Peach' and 'Live At The Fillmore East', and the Eric Clapton 'Layla' record was the music I grew up hearing all the time.
I've been a huge Gregg Allman fan since first hearing the Brothers' live 'Fillmore' album.
Eric Clapton has earned all of our respect. He is the greatest. He opened the doors for us. Without Cream, there is no Allman Brothers.
With The Allman Brothers, we made two studio records that were OK, but the first really great album was the live one, 'At Fillmore East.' We were a live band, and it's one of the reasons we were able to stick around for 45 years.
I was always the Doubting Thomas of the bunch, and I don't think I was convinced about the Allman Brothers until 'Fillmore East' hit - that one removed all doubt!
Once we played at the Fillmore opposite The Cream. Eric Clapton was there and he played his ass off that night ... backstage Michael Bloomfield introduced me to Eric, and Eric was so nice. He came up to me, put his arms around me and said "Barry, it's such a pleasure to meet you" ... I couldn't figure it out... then Michael told me that he had told Eric I had cancer and two months to live...
Eric Clapton wrote "Layla" when he was coked out of his mind. Later on, it nearly killed him.
Duane Allman inspired the group to explore the extended jam format that was already a staple of the Allman Brothers act. Moreover, his ferocious slide playing motivated Clapton to turn in some of the finest guitar performances of his career
I know he played on the last record but I don't wake up in the middle of the night thinking of Eric Clapton.
I grew up in Georgia, so I grew up listening to the Allman Brothers.
When I grew up, I had influences as diverse as Keith Richards, Pete Townshend, Eric Clapton, Jeff Beck, Jimi Hendrix.
My dad used to listen to Jimi Hendrix and Eric Clapton, and my mom liked Michael Bolton and Roy Orbison. She was pretty big into country music, too. So there was a wealth of music being played in the house, and I kind of took it all in.
I kind of question whether to say this or not, but it's almost like the Allman Brothers turned into an Allman Brothers tribute band.
We looked at the Allman Brothers as the fathers of what was to be called Southern rock. In our book, if you didn't like the Allman Brothers, you were sacrilegious.
Whenever I sing blues from the '50s or the kind of blues that you might have heard Eric Clapton or Duane Allman emulate, I often feel the similarity of some of the ragtime stuff I sang early on. A lot of the phrasing and the harmonization is the same.
I was a kid that grew up listening to The Beatles and The Stones and Jimmy Page and Eric Clapton and Jeff Beck, and I wanted all of that in there. But at the same time, a large part of my playing is Tony Iommi and Billy Gibbons. I'm just a sum total of all of the guitar players that I think were really cool.
People are familiar with my songs, especially through Eric Clapton. But I have a hard time drawing a crowd, because I have been a songwriter.
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