A Quote by Dejan Stojanovic

Words rich in meaning 
Can be cheap in sound effects. — © Dejan Stojanovic
Words rich in meaning Can be cheap in sound effects.
I love colors, but I also love rich sounds. And I feel like when it comes to colored ukuleles, people assume they're cheap or that they'll have a tinny sound. And I feel like it would be really beautiful to have a rich color but also to have a rich sound.
I do love perusing the dictionary to find how many words I don't use - words that have specific, sharp, focused meaning. I also love the sound of certain words. I love the sound of the word pom-pom.
You can become rich by being cheap but the problem is that even though you are rich, you are still cheap
I collaborated with a brilliant young sound designer named Anthony Mattana, who enriched the sound of the total production with vocal effects, percussive and other sounds. He also mixed the sound effects and the music, using the theater's first rate sound system to complement the theater's acoustics. This completed my score.
There's something so wonderful about writing in rhyme where it isn't just the meaning of the words, it's the music to the words and the shape and the sound.
Sound words can't be understood through formal study of the language alone. They're felt when you immerse yourself in the culture or lifestyle that becomes a part of you. The Japanese language is abundant with onomatopoeia. Even though I've lived in Japan a long time, sound words are still an uncertain territory. And I think new words are being created every day. Even when I don't know a word I can sometimes connect it to a meaning using the sensations produced by the sounds, which feels like I'm playing with words.
Most people try to get rich by being cheap and the price for that is that you live cheap and there is so much money out there; why would you want to live cheap?
I have a real love of sound and the shape of the sound. I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff.
You'll never make your mark as a writer unless you develop a respect for words and a curiosity about their shades of meaning that is almost obsessive. The English language is rich in strong and supple words. Take the time to root around and find the ones you want
In a certain way, it's the sound of the words, the inflection and the way the song is sung and the way it fits the melody and the way the syllables are on the tongue that has as much of the meaning as the actual, literal words.
The 'idea' for the poem, which may come as an image thrown against memory, as a sound of words that sets off a traveling of sound and meaning, as a curve of emotion (a form) plotted by certain crises of events or image or sound, or as a title which evokes a sense of inner relations; this is the first 'surfacing' of the poem. Then a period of stillness may follow.
Your questions refer to words; so I have to talk about words. You say:;: The point isn't the word, but its meaning, and you think of the meaning as a thing of the same kind as the word, though also different from the word. Here the word, there the meaning.
I think that too many people think too much about my lyrics. I am more a person who works with the sound of a word than with its meaning. Often I just choose the words because of the rhythm not because of the meaning.
All the raves were just words. You don't want to let words confuse you. Words come cheap.
Words exist because of meaning; once you’ve gotten the meaning, you can forget the words.
One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.
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