A Quote by Jagjit Singh

The thought content of ghazals must be meaningful, related to life, it’s emotions of joy and sorrow. It must have the human touch, it should not be phoney. — © Jagjit Singh
The thought content of ghazals must be meaningful, related to life, it’s emotions of joy and sorrow. It must have the human touch, it should not be phoney.
This is not to say that joy is a compensation for loss, but that each of them, joy and loss, exists in its own right and must be recognised for what it is ... So joy can be joy and sorrow can be sorrow, with neither of them casting either light or shadow on the other.
The difference between shallow happiness and a deep, sustaining joy is sorrow. Happiness lives where sorrow is not. When sorrow arrives, happiness dies. It can't stand pain. Joy, on the other hand, rises from sorrow and therefore can withstand all grief. Joy, by the grace of God, is the transfiguration of suffering into endurance, and of endurance into character, and of character into hope--and the hope that has become our joy does not (as happiness must for those who depend up on it) disappoint us.
The first gay people we elect must be strong. They must not be content to sit in the back of the bus. They must not be content to accept pablum. They must be above wheeling and dealing.
In knowledge of human affairs, we should never allow our minds to be enslaved by others by subjecting ourselves to their whims. We must maintain freedom of thought, and never accept anything of purely human authority into our heads. When we are presented with a diversity of opinions, we must choose, if we can; if we cannot, we must remain in doubt.
The master-economist must possess a rare combination of gifts. He must reach a high standard in several different directions and must combine talents not often found together. He must be mathematician, historian, statesman, philosopher - in some degree. He must understand symbols and speak in words. He must contemplate the particular in terms of the general, and touch abstract and concrete in the same flight of thought. He must study the present in the light ofthe past for the purposes of the future
Joy is hidden in sorrow and sorrow in joy. If we try to avoid sorrow at all costs, we may never taste joy, and if we are suspicious of ecstasy, agony can never reach us either. Joy and sorrow are the parents of our spiritual growth.
If you were all alone in the universe with no one to talk to, no one with which to share the beauty of the stars, to laugh with, to touch, what would be your purpose in life? It is other life; it is love, which gives your life meaning. This is harmony. We must discover the joy of each other, the joy of challenge, the joy of growth.
Being a Christ follower means being acquainted with sorrow. We must know sorrow to be able to fully appreciate joy. Joy costs pain, but the pain is worth it. After all, the murder had to take place before the resurrection.
Readers must be given room to bring their own emotions to a piece so crammed with emotional content; the writer must tenaciously resist explaining why the material is so moving.
As actors and actresses, we must rejoice in the possession of our physical faculties. We must experience joy in the use of our hands, arms, body etc. Without this appreciation and realization of the body and its many possibilities, we cannot perform as artists You should feel a flow of joy because you are alive. Your body will feel full of life. That is what you must give from the stage. Your life. No less. That is art: to give all you have. And what have you? Your life-nothing more. And to give life means to feel life throughout your whole being.
Something the heart must have to cherish, Must love and joy and sorrow learn; Something with passion clasp, or perish And in itself to ashes burn.
In joy or sorrow, health or sickness, prosperity or the reverse, the effort must still continue. One must rise after every fall and gradually acquire courage, faith, the will to succeed and the capacity to love.
An actor's body should be full of emotions, whether it is happiness or sorrow, pain or joy, enraged or elated.
Sorrow for sin should be the keenest sorrow; joy in the Lord should be the loftiest joy.
endurance of inescapable sorrow is something which has to be learned alone. And only to endure is not enough. Endurance can be a harsh and bitter root in one's life, bearing poisonous and gloomy fruit, destroying other lives. Endurance is only the beginning. There must be acceptance and the knowledge that sorrow fully accepted brings its own gifts. For there is an alchemy in sorrow. It can be transmuted into wisdom, which, if it does not bring joy, can yet bring happiness.
One third, more or less, of all the sorrow that the person I think I am must endure is unavoidable. It is the sorrow inherent in the human condition, the price we must pay for being sentient and self-conscious organisms, aspirants to liberation, but subject to the laws of nature and under orders to keep on marching, through irreversible time, through a world wholly indifferent to our well-being, toward decrepitude and the certainty of death. The remaining two thirds of all sorrow is homemade and, so far as the universe is concerned, unnecessary.
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