A Quote by Jaz Sinclair

If I had had a big explosion of a break right at the beginning of my career, I don't know that I was emotionally ready for that, as a human, just yet. — © Jaz Sinclair
If I had had a big explosion of a break right at the beginning of my career, I don't know that I was emotionally ready for that, as a human, just yet.
I came into having an artist's career in this very sheepish and directionless way. It's hard to explain, but I was 18 years old and I was ready to go to college; that was the next step for me. Then suddenly I had a song that blew up... and I had this artist's career and I was on tour with these big names and I didn't know what I was doing.
Honestly, in the beginning, it was really tough. Coming from Cincinnati, Ohio, I was just a girl who had a dream, which was to go to Los Angeles, have a career and to be able to support my family. To have a dream like that and, you know, you're not ready.
I've had an unusual career in that I've never had a big break, but the rent always seemed to get paid.
It was not really a career choice that I had to make. It was something I knew right from the beginning. I had to be an actress... period.
I came up in this industry at a time where you had to be a journalist. You had to break stories. You had to break news to elevate your career, to get to a certain point and a certain level in this business, before you even had the license to give your opinion, especially if you were a black man.
At 185 in the UFC they had Rich Franklin and Anderson Silva, and I couldn't go to 205 - they had Randy Couture, Chuck Liddell and all of those big guys. I just wasn't mature enough, so if I hadn't fought at 170 I probably wouldn't have had the career I've had.
I was born with a heart murmur. When I was 21, the stress of the career and traveling - the lack of sleep and just not eating right - had taken its toll. Our schedules had been pretty crazy for about three years, and there was no rest at all. So in order to continue on and, you know, have a life, I had to fix it.
There was a phase where nothing was going right, and the thought crossed my mind that what is going to happen. Since I had no Plan B, I was sure from the beginning that I love acting and this is what I want to do for the rest of my life, so I had to be ready to struggle.
Westley closed his eyes. There was pain coming and he had to be ready for it. He had to prepare his brain, he had to get his mind controlled and safe from their efforts, so that they could not break him. He would not let them break him. He would hold together against anything and all. If only they gave him sufficient time to make ready, he knew he could defeat pain. It turned out they gave him sufficient time (it was months before the Machine was ready). But they broke him anyway.
My life changed at the age of 27. I was doing well professionally and had just got out of a serious relationship. I suddenly realized that I had reached a low in my life, be it spiritually or emotionally, and started asking a lot of questions - beyond just career and relationships.
My career's been a slow and steady build, which I'm grateful for, because had it been this thing where I just exploded, I don't know that I, as a sensitive person, could have handled it emotionally.
The problem is that right from the beginning, there was this whole pressure that I've had to make it big. I don't know if it's my fault or if someone else created this atmosphere around me, but it's been there.
Over the years, I was lucky; right from the beginning, I studied with a lady who had a lot of... she was a classical singer, and of course, they're a little bit more into, you know, preserving the voice, making sure your instrument is ready to perform.
'L.A. Law' has been a bit of a blessing and a curse. First of all, it was a very prestigious show that had a lot of intellect, and I was the pretty boy. I've had to battle that my whole career: 'Oh, you were the face guy. You didn't really have to act; you just had to wear the right suits.' I had to battle that.
In giving birth, I knew that I would have to take a break after I had a baby; I just didn't know that it would be, like, six weeks long. Taking a six-week break was a very big deal for me. I have never taken that long of a break from stand-up other than my honeymoon, which was 14 days long.
I had a growing career as a model and an actress in London - I had starred opposite Michael Caine and Sidney Poitier in 'The Wilby Conspiracy' - but everyone told me to stay in Hollywood. This was the place, they said, and I could have a big career. What they failed to mention was that no one would quite know what to do with me.
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