A Quote by Jamila Woods
My art gets called political, as opposed to my intending it to be political. I think that's something that happens with black artists or marginalized voices trying to speak truth. Because there are things in the status quo to speak out against, speaking out against them will inherently be political.
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If it comes to a question of law, the charges they brought against me - the Espionage Act - is called the quintessential political crime. A political crime, in legal terms, is defined as any crime against a state, as opposed to against an individual. Assassination, for example, is not a political crime because you've killed a person, an individual, and they've been harmed; their family's been harmed. But the state itself, you can't be extradited for harming it.
You need to give yourself the time to think freely. I don't know if that is political. But sometimes things are political because you observe things that are right or that are wrong and you want to speak on them.
Singling out political opponents for working against the ruling party is precisely the tactic of every tyrannical government from Red China to Venezuela. The first step in the process is creating unfounded public suspicion of political opponents, followed by arresting and jailing any who continue speaking against the regime.
The avoidance of explicit ethical judgments leads political scientists to one overriding implicit value judgment - that in favor of the political status quo as it happens to prevail in any given society.
Art is inherently political. Even trying to make a film that has nothing to do with politics is, in and of itself, a political act.
It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.
I think when people try to use their art for political views, I think they're art becomes smaller, less interesting. And so for me, as an artist, I'm trying to speak about things in a universal way and not be pedantic or small-minded and try to convince other people of my political views. But having said that, every day I live in sort of complete terror because of what I read in the newspaper and what is going on in the world. I'm constantly, as I think many of us are, overwhelmed by the sort of, mass psychosis that's occurring.
Major political parties have a role, but they are incapable of initiating fundamental change because they are fundamentally tied to the status quo. They are the status quo.
I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.
I'm very political without being political. I don't know how to speak proper political language.
A political revolution must proceed simultaneously with the nationalist revolution. When we overthrow the Manchu regime, we will achieve not only a nationalist revolution against the Manchus but also a political revolution against monarchy. They are not to be carried out at two different times.
Artists have their existential questions as human beings, and they address these questions in their works. But they are also thinking in a broader sense when they participate in a social and political debate through their works. Often the most important voices of artists in the political and the social debate are focused on originality in their works. We can see this in historical pieces, like "Guernica" by Picasso. "Guernica" was an extremely important manifestation and critique against war, but it was important and powerful because it was also an incredibly original and powerful work of art.
I hate to speak for the whole society, but I will. I'm a journalist, it's my job. There's been something of a reaction against political correctness. Needless to say, the government hasn't caught up yet.
Climate change should not fundamentally be seen as a political or partisan issue, but it has been turned into a political football primarily by the climate deniers who have a vested interested in maintaining the status quo. That includes certain industrial interests, financial interests and political interests.
You can't be afraid to speak the truth. If you're speaking truthfully - no matter if you're White, Black, Hispanic, Asian - if it's the truth, it's the truth! And if that's what you're telling, you have no reason to be fearful, or, worry about people trying to diffuse what you're doing. Because, if you're speaking the truth, they can't beat the truth.
America, like Britain before her, is now the great defender of the Status Quo. She has committed herself against revolution and radical change in the underdeveloped world because independent governments would destroy the world economic and political system, which assures the United States its disproportionate share of economic and political power ... America's preeminent wealth depends upon keeping things in the underdeveloped world much as they are, allowing change and modernization to proceed only in a controlled, orderly, and nonthreatening way.
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