A Quote by Janet Jackson

I have no clue why, but maybe sometimes when there's someone you don't hear from, it's the person you want to hear from the most. — © Janet Jackson
I have no clue why, but maybe sometimes when there's someone you don't hear from, it's the person you want to hear from the most.
You may hear the most beautiful things, you may hear promises, you may hear everything you want to hear but if the person you're dating is not following up with their actions then they're just words.
Someone told me something recently about Sarah Palin, someone I trusted in the book business. They said, "I worked with Palin. She did an event at my bookstore, and she was really, really nice, and even more beautiful in person." I didn't want to hear that. I wanted to hear that she was awful and hideous-looking. But I thought, I have to listen to that. I have to hear that. I don't want to be the one who is going to deny anything complimentary said about somebody just because I disagree with that person.
I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.
I just feel like sometimes people don't want to hear the truth. It's hard when you hear the truth. People want to hear what they want to hear. Sometimes I have a hard time with that because I'm very honest.
My tendency is to want to say to the person, "Do you understand why I feel this way?" I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or bad.
I don't like karaoke. But maybe that's why I'm so perfect for 'Lip Sync Battle,' because I get to still hear the song I love and watch the performances that I love without having to hear someone sing.
What it comes down to, I believe, is that mentoring often involves telling people what they need to hear, rather than what they want to hear. When you are able to be humbly honest with someone about a situation with which you have personal experience-even if you risk angering or hurting that person-you are offering the most valuable gift of all.
When you turn on your radio, you don't always want to hear about someone shootin' some person. Even if that's the lifestyle they live, people don't always want to hear it.
I've always believed that you often need less. You don't need to hear why people are friends, you don't need to hear why people are roommates, you don't need to hear why someone would help a friend to do something.
If someone comes and tells me I've done great work, that's not what I want to hear. But if someone comes and tells me that this could have been a notch better, I'd spend an hour with the person and hear him or her out.
The trouble is, most people are not so generous. Everybody wants love for themselves. I hear this all the time from the women I work with. I hear them say, "I want, I want." I never hear them saying what they want to give.
Sometimes I prefer when I can hear other people conduct my music so I can sit out and actually hear it. When you are in the middle of it, sometimes it's a little bit hard to hear and get the whole effect.
I'm not looking for is the audience going to like it [the film during the first screening] or not. I want to hear somebody try to poke a hole in it. I want to hear why they saw the logic was flawed or why that scene was not believable.
I'm giving my fans the songs that they want to hear from me. Why do we love to hear ourselves being downgraded. Why do we love to hear the negative situations that we see in our lives daily? I'm not trying to make sense of it, I'm not giving any solutions, I'm just tossing the question.
What I've learned from my gurus is that when you hear music, you hear a person, or you hear people, and you hear everything about them in those moments. They reveal themselves in ways that cannot be revealed any other way, and it contains historical truths because of that. To me, that is the most important thing. It shouldn't be a footnote, or the last chapter. It should be the complete thesis about a book on listening.
I can only be as good as [the audience members] at acknowledging and owning the information that's coming through ... and sometimes, nobody comes through.... One of the things that I've learned is that I am not an operator and I can't dial direct, ... and even if I do make the connection with the person they want to hear from, there's no guarantee that they're going to come through and tell them what they want to hear.
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