A Quote by Janet Malcolm

[The] arresting of time is photography's unique capacity, and the decision of when to click the shutter is the photographer's chief responsibility. — © Janet Malcolm
[The] arresting of time is photography's unique capacity, and the decision of when to click the shutter is the photographer's chief responsibility.
One view of photography is that it is a zen-like act which captures reality with its pants down - so that the vital click shows the anatomy bare. In this, the photographer is invisible but essential. A computer releasing the shutter would always miss the special moment that the human sensibility can register. For this work, the photographer's instinct is his aid, his personality a hindrance.
I would say that the off-frame effect in photography results from a singular and definitive cutting-off which figures castration and is figured by the click of the shutter.
It is more important to click with people than to click the shutter.
... photography, like all camera-made images such as film and video, effaces the marks of its making (and maker) at the click of a shutter. A photograph appears to be self-generated - as though it had created itself.
Different levels of photography require different levels of understanding and skill. A "press the button, let George do the rest" photographer needs little or no technical knowledge of photography. A zone system photographer takes more responsibility. He visualizes before he presses the button, and afterwards calibrates for predictable print values.
What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.
Never boss people around. It's more important to click with people than to click the shutter.
To us, the difference between the #? photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #? photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.
The decision as to when to photograph, the actual click of the shutter, is partly controlled from the outside, by the flow of life, but it also comes from the mind and the heart of the artist. The photograph is his vision of the world and expresses, however subtly, his values and convictions.
We have to stop arresting prostitutes and not arresting traffickers and pimps. It's absurd. We're arresting the victim or the survivor and not the oppressor.
Photography is like a found object. A photographer never makes an actual subject; they just steal the image from the world... Photography is a system of saving memories. It's a time machine, in a way, to preserve the memory, to preserve time.
When your mouth drops open, click the shutter.
If you see something you have seen before, don't click the shutter.
[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.
Every time we click the shutter, it's like a new day, a new chance to make a clean start, to be original. It's a very exciting and exhausting thing to do.
Photography is my passion. Whenever I get time, I click.
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