A Quote by Janet Fitch

Dawn has a way of casting a pall on any night magic. — © Janet Fitch
Dawn has a way of casting a pall on any night magic.
She was sitting cross-legged on her bed in her white kimono, writing in a notebook with an ink pen she dipped in a bottle. 'Never let a man stay the night,' she told me. 'Dawn has a way of casting a pall on any night magic.' The night magic sounded lovely. Someday I would have lovers and write a poem after.
Oft as by chance, a little while apart The pall of empty, loveless hours withdrawn, Sweet Beauty, opening on the impoverished heart, Beams like a jewel on the breast of dawn.
If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.
Dawn's faint breath breathes with your mouth at the ends of empty streets. Gray light your eyes, sweet drops of dawn on dark hills. Your steps and breath like the wind of dawn smother houses. The city shudders, Stones exhale— you are life, an awakening. Star lost in the light of dawn, trill of the breeze, warmth, breath— the night is done. You are light and morning.
Between the dusk of a summer night And the dawn of a summer day, We caught at a mood as it passed in flight, And we bade it stoop and stay. And what with the dawn of night began With the dusk of day was done; For that is the way of woman and man, When a hazard has made them one. Arc upon arc, from shade to shine, The World went thundering free; And what was his errand but hers and mine - The lords of him, I and she? O, it's die we must, but it's live we can, And the marvel of earth and sun Is all for the joy of woman and man And the longing that makes them one.
Through the blackest night, morning gently tiptoes, feeling its way to dawn.
As an actor, some of my favorite things to work on are night exterior scenes. Any time that we're on location and shooting at night, it's just magic. I got to do that so many times working on 'Vampire Diaries' that it filled my hat.
The night swelled with magic; not the beneficent kind of love-magic that sweeps couples away, but the kind of magic that rips and tears, the enchantment that creeps out of the woods and pounces.
In the darkest night to be certain of the dawn...to go through Hell and to continue to trust in the goodness of God-this is the challenge and the way.
I pray you never stand at any crossroads in your own lives, but if you do, if the darkness seems so total, if you think there is no way out, remember, never ever give up. The darker the night, the brighter the dawn, and when it gets really, really dark, this is when one sees the true brilliance of the stars.
I say to this night: "Pass more slowly"; and the dawn will come to dispel the night.
They lose the day in expectation of the night, and the night in fear of the dawn.
Well, it's a marvelous night for a Moondance With the stars up above in your eyes... And I'm trying to please to the calling Of your heart-strings that they play soft and low And all the night's magic seems to whisper and hush And all the soft moonlight seems to shine in your blush... One more Moondance with you in the moonlight On a magic night
There are always discussions about casting stars in lead roles in theater - especially when you're working with commercial producers - and it's not something I'm against, not at all. But any casting has to be right for the project.
I had great luck with Tim McGraw twice in 'Friday Night Lights' and 'The Kingdom.' I love finding off-beat casting and finding someone you know in one way and you reinvent them in another way. I like doing that as a director.
You see on the night of a Champions League game. It is magic. It is total magic.
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