A Quote by Janet Flanner

I keep going over a sentence. I nag it, gnaw it, pat and flatter it. — © Janet Flanner
I keep going over a sentence. I nag it, gnaw it, pat and flatter it.
Akri? Can I keep him? See, he good eating. Lots of fat on this one. (Simi) No, Simi. You can’t keep the baby. His mother would miss him. (Acheron) But he want to go home with the Simi. He said so. (Simi) No, Simi. (Acheron) No Simi, no food. Nag, nag, nag. (Simi)
Most people write the same sentence over and over again. The same number of words-say, 8-10, or 10-12. The same sentence structure. Try to become stretchy-if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you're generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.
If only I was as eloquent as Demosthenes, I would have to do no more than repeat a single word three times. Reason is language - Logos; I gnaw on this marrowbone and will gnaw myself to death over it. It is still always dark over these depths for me: I am still always awaiting an apocalyptic angel with a key to this abyss.
I can be a nag. And my mother can be a nag. It's a nagging relationship, but we know that it's loving.
Do what you love. Know your own bone; gnaw at it, bury it, unearth it, and gnaw it still.
The book was long, and difficult to read, and Klaus became more and more tired as the night wore on. Occasionally his eyes would close. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over.
I finish the book so I can see how it's going to end. I write that first sentence, and if it's the right first sentence, it leads to the right second sentence and three years later you have a 500-page manuscript, but it really is like going on a trip, going on a journey. It's a voyage.
I'm not Abdul-Jabbar or Pat Ewing or Mark Eaton. I'm Shawn Bradley and I'm going to do my best each time I step on the court. When the game is over, it's over.
I should start with an apology to Rudy Giuliani. I said every sentence Rudy utters has a noun, a verb, and 9/11 in it. I was wrong. He called me to tell me after Pat Robertson's endorsement, there's an Amen in every sentence he says too.
Pat Boone is an icon in this country. He's not a guy who's going to pull the wool over people's eyes. He's going to tell them the truth.
If it's all instruction, you get annoyed with it and bored, and you stop reading. If it's all entertainment, you read it quite quickly, your heart going pitty-pat, pitty-pat. But when you finish, that's it. You're not going to think about it much afterward, apart from the odd nightmare. You're not going to read that book again.
The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence.
The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence. When you're handwriting, you really just have to move on.
Let's give a big cuddly shout-out to Pat Healy, infant provocateur and amateur journalist at The New York Times. Keep it up, Pat - one day perhaps you'll learn something about how Broadway works, and maybe even understand it.
If you hear the dogs, keep going. If you see the torches in the woods, keep going. If there's shouting after you, keep going. Don't ever stop. Keep going. If you want a taste of freedom, keep going.
Shakespeare is forever coming into our affairs -- putting in his oar, so to speak -- with some pat word or sentence.
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