A Quote by Gianni Versace

Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they're doing it for the love of art, I say: Get real. — © Gianni Versace
Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they're doing it for the love of art, I say: Get real.
When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre and genre expectations. So even if I say I'm doing straight memoir, you'll see that I'm doing weird stuff with the structure. I've got images, I've got lyrics, and I've got journalism. I really try to not get stuck in genre expectations.
Don't listen to those who say, you taking too big a chance. Michelangelo would have painted the Sistine floor, and it would surely be rubbed out by today.
I have never heard a dancer asking for advice about how to stay focused on her footwork, or a painter complaining about the dull day-to-day task of painting. What task worth doing isn't worth daily effort? Do you think Michelangelo was having fun the whole time he was on his back painting the Sistine Chapel's ceiling?
Communication has always been at the service of power. Michelangelo painted the Sistine Chapel for the Pope. Is it not an advertisement for the Church? I try to make the best pictures I can and sometimes they are used in advertising campaigns.
When Michelangelo finished the painting of the Sistine Chapel's ceiling, he spent the rest of his life trying to remove the paint that had poured into his sleeve.
People say, 'How's the record doing?' In the old days you'd say, 'We're at 600,000, it's doing great.' You don't say those things anymore. Those numbers are gone.
If God dislikes gays so much, how come he picked Michelangelo, a known homosexual, to paint the Sistine Chapel ceiling while assigning Anita Bryant to go on television and push orange juice?
Back to the painting of the Sistine Chapel, there's always been run-ins between benefactors and artists.
I want to be paid fairly for the work that I'm doing. That's what every single woman around the world wants. We want to be paid on parity with a man in a similar position. And I think it's important to talk about it.... It's brave of those women to come forward and make a point about it. Now younger actresses will have a confidence in those discussions with their agents and be able to say, "Can we make sure that I'm being paid the right amount for the work that I'm doing?"
I love this site. It was lovingly hand-shaped it. Your soul transformed this into this art. It was perfect. I have tried to create another equal to it... but to no avail, so I will just have to paint the Sistine Chapel.
I would love to see more dialogue around the "responsibilities" of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
Norman Rockwell spent his career painting pictures that helped people understand their own feelings...pictures that enriched their own experiences and celebrated their own lives. But the art establishment branded him an 'illustrator', a sentimental one at that. Real artists, they said were doing art for art's sake, not for the sake of the bourgeois public. Real artists were putting swiggles, smears or daubs of paint on the canvas. They were doing 'innovative' and 'creative' work. If they were hideous and grotesque; we know that's what life really is!
How our old friend [Michelangelo] of the Sistine would have loved to photograph his workers, perched on the fragile planks. Dali was right to say Leonardo only worked from photographs.
I think it would be bad for culture and the art if artists and people who develop the apparatus to support those artists don't get paid.
There are some artists who are doing some good music, especially those who are independent, but with labels, I say that I get the feeling of selling soaps.
I just have to say no to some of the stunts that I love doing so much. I enjoy doing that stuff, but I've learned to let the stuntmen do those.
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