A Quote by Jarvis Cocker

Silver Machine still sounds really modern with all the white noise. It's a bit punky in a way. They were ahead of their time. — © Jarvis Cocker
Silver Machine still sounds really modern with all the white noise. It's a bit punky in a way. They were ahead of their time.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
I'm not a grunter, I'm relatively quiet. There's a little bit of breathing out. Some people get really loud! There's a little bit of psyching up sometimes, if you're going for a really heavy weight you might make a little noise, but when lifting, I try and keep it quite quiet - I'm not a fan of male noise in that way to be totally honest. I think when girls do it it's not as bad, but when guys do it it's just like, 'Come on mate, hold it in!'.
My dad used to say, 'You have to become part of the machine to beat the machine,' and there's some validity in it. But honestly, even when I'm inside the machine, you still see me. I stick out a little bit.
Once upon a time Apache land would have stretched farther than the horizon, through New Mexico almost to Texas, but as white men found gold, silver, turquoise, and copper beneath its surface they carved up the territory like children sneaking to the fridge and slicing off a chocolate cake bit by bit: hoping at first that the loss wouldn’t be noticed but ultimately not really caring.
A white noise app wouldn't work for me - I would be too distracted by the non-white noise noises I could still hear, even more distracted than i would otherwise be. So I have to just accept the regular noises.
I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.
I think I always wanted to be an actor - sounds a bit boring, doesn't it? And I pretended once that I wanted to be a vet because one of the teachers asked me and saying you want to be an actor sounds a little bit silly. And I do still feel a bit silly saying it. You feel a bit fraudulent.
I don't really like the bands that think they're still in 1982. It's boring. When retro sounds are combined with a modern approach, it can be great.
I always was getting into trouble some way, because I was really good at lying when I was a kid. If I left my jacket at school for the third time and my mom was really angry at me, I would make up a lie and I would just really believe in it. This sounds a little bit sociopathic.
If I were a physician, and if I were allowed to prescribe just one remedy for all the ills of the modern world, I would prescribe silence. For even if the Word of God were proclaimed in the modern world, how could one hear it with so much noise? Therefore, create silence.
I love that tension between machine sounds and organic sounds, and also the contrast between abrasive sounds and soft sounds.
I also just get so ecstatic hearing and feeling the noise in general and it still makes me giggle inside playing certain sounds. One of the downsides is that in order to produce certain sounds, I'm totally using my arms the wrong way and sometimes that worries me. But then that physical strain puts me in a different state of mind to bring out different dimensions in the music, I suppose.
The great and rare mystics of the past . . . were, in fact, ahead of their time, and are still ahead of ours. In other words, they most definitely are not figures of the past. They are figures of the future.
Both of them were ahead of their time, but they didn't live long enough to see the time they were ahead of.
I don't want to do a gimmick. It's a bummer that that's how it is. I would say, personally speaking, consuming music now is harder than it was before. It's like being stuck in a slot machine. There's just so much noise. It's just constant noise. It's harder to clear your head and give the time to music that a lot of it really deserves. It's really crazy how different your relationship to an album or music becomes, even if it's digital, if you spend the $7 to $10 on it. It forms this relationship where you're not just going to throw it away.
You look at somebody like Thurston Moore. Is he a noise dude? A punky dude? Is he a free jazz dude? He's a stimulation chaser, and I relate to that.
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