A Quote by Jared Isaacman
We want to work towards a Jetsons-like world.
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I've been thinking about 'The Jetsons' since I was a kid. But occasionally, you want 'The Jetsons' to come to reality. That's what Apple is so great at: Productizing things and bringing them to you so you can be a part of it.
I truly want us to live in a world 50 or 100 years from now where people are jumping in their rockets like the Jetsons and there are families bouncing around on the moon with their kid in a spacesuit.
I just want to keep working. I guess I gravitate towards stories that I like and directors that I want to work with, and I hope that it works out.
Some Google employees have their self-driving vehicles take them to work. These car robots don't look like something from 'The Jetsons'; the driverless features on these cars are a bunch of sensors, wires, and software. This technology 'works.'
Every great work of art has two faces, one towards its own time and one towards future, towards eternity.
I guess I gravitate towards stories that I like and directors that I want to work with, and I hope that it works out.
We strive towards a better world, but one can never do it without compromise. We can all change the world for the better, starting in your own little surroundings, together with people who believe in it, too. This way you can make it work and show others that it actually can work. That doesn't mean that everybody has to do it like you "or else..." If there is no compromise possible, then it turns into extremism, and I don't think that extremism ever added something positive to the world.
To image the being of God towards the world, to be the priest of creation, is to behave towards the world in all its aspects, of work, and of play, in such a way that it may come to be what it was created to be, that which praises its maker by becoming perfect in its own way. In all this, there is room for both usefulness and beauty to take their due place, but differently according to differences of activity and object.
If you do believe there's going to be a world like The Jetsons,' where everybody jumps in their rocket - very Star Wars' or Star Trek' - and people are exploring new planets and new worlds, then we've got to get the first one right.
My four criteria: I don't want to work with people I don't like; I don't want to work in a business I either don't like or don't understand; I don't want to work for nothing unless I choose to, and I do a fair amount of that already; and I want to have some fun.
I have a lot of gadgets, remote controls for everything - the curtains, pool cover - it's like The Jetsons!
All the elements will be seen mixed together in a great whirling mass, now borne towards the centre of the world, now towards the sky; and now furiously rushing from the South towards the frozen North, and sometimes from the East towards the West, and then again from this hemisphere to the other.
It is important for me to believe in a team that has ambition. I want to go up and work towards something. I don't want to work in the grey areas and say it is nice to end up 10th or 11th and keep on doing that every year.
Hoping and dreaming of a better world are not enough if we are unwilling to work - but when we work towards our dreams, wonderful things can happen.
There is some other form that you contain within yourself that is not will or purpose and, when applied to art, serves you best. If you systematically apply to the art that you create the aggression of the world that turned you towards art in the first place; if you, in turn, become the aggressor towards your canvas, the thing that you're doing; if you, in turn, work your will upon this thing that you want - you will then cause a dissatisfaction in this life that you create.
I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.
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