A Quote by Jaron Lanier
Books are really, really hard to write. They represent a kind of a summit of grappling with what one really has to say
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I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
It's really funny - when I'm depressed or I'm having a hard time, I'll write really fun stuff. And then when I'm really happy, I write really depressing stuff.
When you're in comedy, people always come up and say, 'Oh, it must be so hard.' It really isn't hard unless you're not good at it. If you can do it, its really kind of fun and easy.
I also really like to read good books and I don't have enough time to do it. So it's really hard for me to imagine willingly submitting myself to a trilogy of books that I've been told are at the fourth grade reading level which isn't a very nice thing to say but.
There's still a part of me that thinks I have to write a really good novel. I'm not trying to say I'm not happy with the novels I've written in the past. But it always feels to me like there's another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. Most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
The body is some kind of image of you, it's kind of something that's just attached to your soul, some kind of outside principle, which doesn't really represent who you really are.
And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
There are a lot of smart people being really thoughtful and writing really interesting things, but that isn't what I want to do. It's never felt like what I've been called to do. And I have to risk sounding really arrogant when I say that because I've gone to Ivy League schools and been privileged in all these ways in the world of ideas, but I'm not as smart as you think. I'm not really depending on what I learned in college to write my books. Those were just parts of my life experience.
I'm not setting out to adapt books and work with books, but when really amazing stories come to you in that form, it's really hard to turn away from that.
Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.
Every day when you wake up, ask yourself, 'What do I really, really, really want? ' You have to say really, really, really, otherwise you won't believe it.
I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.
I really had to create my own style, because it's kind of hard being a 6-1 defensive end. I'm really like 6-4 - really.
You have to relax, write what you write. It sounds easy but it's really, really hard. One of the things it took me longest to learn was to trust the writing process.
The most important thing for a writer to do is to write. It really doesn't matter what you write as long as you are able to write fluidly, very quickly, very effortlessly. It needs to become not second nature but really first nature to you. And read; you need to read and you need to read excellent books and then some bad books. Not as many bad books, but some bad books, so that you can see what both look like and why both are what they are.
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