I typically try not to think too hard about what I'm going to do in a certain scene with a certain actor in a certain moment because I think that kind of lends its way to not being as improvisational and sort of carefree as one would hope.
I never think about a shoot before I do it. Because there's no formula for people. What I try to do is to strip everything away rather than go in with preconceived notions. If I do that, I might miss a gem or a jewel that the person is offering me.
People are born in a certain place, and in a certain society. I don't mean to sound like a determinist, but to think we're entirely free to do whatever we want betrays a certain class perspective. For most people who have to work for a living, and work at jobs under conditions they may not like, it's just not simple when it comes to freedom.
I've never looked at myself and said that I need to be a certain way to be around a certain sort of people. I've always wanted to stay true to myself, and I've managed to do that. People have to accept that.
Certain people just go home and veg out, certain people go travel the world and certain people are like, "Screw this, I'm going to work the entire time."
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
In my life, I wanted to meet certain people. I never met Charlie Chaplin, but I met Werner Herzog.
I'm not really sure what people's preconceived notions are. I don't look at the gossip websites - it's unhealthy and I think it's a large part of what drives people in L.A. crazy.
I always try and put out posts on social media about feeling good inside, and there's so much pressure for people to look a certain way and have a certain hairstyle or a certain lipstick.
Certain people can keep a word tune, so to speak, and certain people cannot. And, above all, certain people can tell a story, and other people can't. They don't hear that point where something else has to come.
I do think, in time, people will have, sort of, relationships with certain kinds of robots - not every robot, but certain kinds of robots - where they might feel that it is a sort of friendship, but it's going to be of a robot-human kind.
I think when you get to majors, there are definitely certain names and certain people that you've got to beat, and most of the time certain names and people pop up on the leaderboard. But that's the game, and that's what we're here for.
For certain things, certain audiences, people will laugh. And in other places, there's dead silence. And I enjoy them both. You try to make films where it's never one way - like life.
This is one of the ways fiction is more liberating than nonfiction - I don't have to be so concerned with fact. I had the paradigm of certain people in my head who became my characters, but I never considered these people to be from a "certain sector of society," unless we agree that we're all from certain sectors of society.
It is one of the most saddening things in life that, try as we may, we can never be certain of making people happy, whereas we can almost always be certain of making them unhappy.
Yeah, it can be dangerous to kind of try and target your art to a certain type of people! You don't know who's going to gravitate towards your work, you never know what people are going get out of the work. So I try and just create music that feels true to my taste, and then see what happens.