A Quote by Jez Butterworth
Writing for 'Rooster' was a strange experience. It's funny, once you tap into a voice, words just start to flow. You know when you've hit a spirit or captured something.
Related Quotes
It's funny when you start writing an album and then recording - the songs begin to take on a spirit of their own. Once you start to perform it live, this happens even more so than in the studio. They really start to develop a personality that takes shape over time with the audience.
The hardest part is writing a song as a story. A song is so short and there are only so many words that every line has to hit. The words have to flow. You can't say certain words that sound weird next to each other, you can't repeat words too much.
Thery're both iron, isn't that funny?" "Funny haha or funny strange?" James handed them back to me "Funny 'occult'" "Ah. Funny strange" James looked at me sternly, "Don't start that. I'm supposed to be the humorous one
I don't know now if I'm funny. I just keep talking and hope that I hit something that's funny.
I think comedy, so much of it comes out of the strange sort of golden instant 'cause you don't know why it's funny, but you captured it.
Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
I know by experience that Jesus Christ is a very powerful spirit - I know by experience that he is probably the most powerful spirit in the universe. I know by experience he is not a mere human being. He is something beyond that.
Memory is funny. Once you hit a vein the problem is not how to remember but how to control the flow.
One day, it hit me that music is my calling. I just started playing and writing music. How, I don't know. I just started doing it, and then this big voice came out of my mouth. And it felt like I was releasing something.
Gibberish rap is - I freestyle all the time, just hangin' out with friends. And sometimes when I'm freestyling, I'll lose my flow, you know, but I'll still wanna - I don't wanna just stop rapping because I lose my flow. So I'll just put in nonsense words till I can bring in regular words again.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
What she said was always strange. It had happened long ago. It seemed insignificant. And yet it was something you remembered forever. The words as well as the story. The voice as much as the words.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
It's a little strange, after all these years of working on camera, but once you start to watch the other people who do this a lot and realize how much of what you're doing has to just come through your voice, I found it really interesting.
I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.
If you're going to be a writer, the first essential is just to write. Do not wait for an idea. Start writing something and the ideas will come. You have to turn the faucet on before the water starts to flow.
Related Authors
Alan Bennett Quotes
English
Dramatist
Alexandre Dumas Quotes
French
Dramatist
Anton Chekhov Quotes
Russian
Dramatist
David Mamet Quotes
American
Dramatist
Edward Albee Quotes
American
Dramatist
Eugene Ionesco Quotes
French
Dramatist
Friedrich Schiller Quotes
German
Dramatist
Harold Pinter Quotes
English
Dramatist
Jean Racine Quotes
French
Dramatist
John Heywood Quotes
English
Dramatist
Jules Renard Quotes
French
Dramatist
Lillian Hellman Quotes
American
Dramatist
Pierre Corneille Quotes
French
Dramatist
Tennessee Williams Quotes
American
Dramatist
Tom Stoppard Quotes
English
Dramatist
Zora Neale Hurston Quotes
American
Dramatist