A Quote by Jay Baruchel
I'm a massive movie nerd. That being said, I could retire tomorrow because I wrote this movie 'Goon' and it came out, and it connected and it's a wonderful flick that I think is beautiful and then it had this wonderful life and it means a lot to a lot of people.
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Comparing 'Christmas Vacation' to 'It's A Wonderful Life' is the silliest thing. That film starred the greatest movie actor of all time, and the idea that our movie could ever be connected in some fashion to something so brilliant and beautiful always made feel like, 'That's all they had to write about?'
Just because a movie is satisfactory means that the person who makes it is satisfactory. One can make a wonderful movie but still not be a wonderful person. In terms of interviews, it's probably not a good idea, because moviemakers tend not to tell the truth, even when asked a question.
It took a long time to understand why people were so interested in me, but I assumed it was because my wonderful husband had done a lot of wonderful work leading up to our marriage and our relationship. But then, over the years, you see yourself as a good product that sits on a shelf and sells well. People make a lot of money out of you.
I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.
A lot of people enjoyed the film 'Haywire' and a lot of people have mixed feelings on it but regardless, a lot of people have said really wonderful things about it being my first experience, that the fighting they absolutely enjoyed. So I think I've gotten a lot more fans, actually.
That story about the two women in my life is - a lot of people get upset, a lot of people question it. Steven Soderbergh said to me, "The story of your life is incredible. The real story of your life that's interesting, more interesting than all the other stuff - the franchises, the movies, the songs, Elvis Presley, Frank Sinatra - the real thing that's interesting and unbelievable is the relationship with these two women. And if you're willing to put that out there, you know then, you're going to have a great movie. Because that's the movie."
I think a lot of people don't take you seriously if they hear it's a video-game-based movie, and a lot of press people don't write about you. With BloodRayne, a lot of serious newspaper people didn't actually even see the movie. They went online to see other reviews, and then wrote their own. I think comic-book-based movies have a better image. We see it with 300, Sin City, Spider-Man - they are A-list features, and video-game movies are B-list.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
I created my own concept art and went in and did a 90-minute presentation that cost me a lot of money.And, the great thing is though, when I got the job, they had to buy all of it from me, because one of the set pieces in the middle of the movie was the scene I wrote, and they needed to own everything because a lot of it ended up being the movie we made, so I got all my money back. I was committed. I was going to outspend every competing director.
I developed a theory that, in many ways, the early 'Andy Griffith' episodes especially were an awful lot like a Capra movie. They were a lot like 'Mr. Deeds' or a lot like 'It's a Wonderful Life' in tone and presentation.
I met a wonderful girl and decided to get married. And when I married, being an actor I did not think I could balance both cinema and personal life. Very difficult to do that because the cinema takes a lot out of you.
There's definitely a lot of trash that comes with the prize of being famous. It's a nice gift, but there's a lot of wrapping and paper and junk to cut through. Back then, when a movie came out and people saw you on the street, their reaction was so supercharged that it was scary. It would frighten other people. It used to really rattle me. I mean, everybody would love to have their clothes torn off by a mob of girls, but being screamed at is different.
Marketing does have a lot to do with the success of a film. But even more so, and especially since home video, I've learned that a movie has a life of its own. A movie goes out there, and it exists, and it continues. I'm always fascinated by what movie people bring up when they approach me.
A movie that I'm involved with and have a lot of love for, which is 'On The Road,' does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.
A movie that I'm involved with and have a lot of love for, which is On The Road, does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.
That's the point. Every kind of animal thinks its own kind of animal is wonderful. So people getting married think they're wonderful, and that they're going to have a baby-- that's wonderful, when actually they're as ugly as rhinoceroses. Just because we think we're so wonderful doesn't mean we really are. We could be really terrible animals and just never admit it because it would hurt so much.
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