A Quote by J. B. Priestley

A novelist who writes nothing for 10 years finds his reputation rising. Because I keep on producing books they say there must be something wrong with this fellow. — © J. B. Priestley
A novelist who writes nothing for 10 years finds his reputation rising. Because I keep on producing books they say there must be something wrong with this fellow.
It is the penalty of fame that a man must ever keep rising. "Get a reputation, and then go to bed," is the absurdest of all maxims. "Keep up a reputation or go to bed, "would be nearer the truth.
The novelist must be his own most harsh critic and also his own most loving admirer and about both he must say nothing.
He finds his fellow guilty of a skin Not color'd like his own, and having pow'r T' enforce the wrong, for such a worthy cause Dooms and devotes him as his lawful prey.
In England if something goes wrong--say, if one finds a skunk in the garden--he writes to the family solicitor, who proceeds to take the proper measures; whereas in America, you telephone the fire department. Each satisfies a characteristic need; in the English, love of order and legalistic procedure; and here in America, what you like is something vivid, and red, and swift.
People say, 'Why is he bored with her?' Because he's a human being, that's why; same way his wife is bored with him. That is marriage - anything that's supposed to be forever, your going to get bored with it. And there is nothing wrong with it, so don't take it personal; if you are with somebody for ten years and they are not bored with you? Then something is wrong with them.
The reason one writes isn't the fact he wants to say something. He writes because he has something to say.
You can put a person in jail for 5 years, for 10 years, or 20 years, for the same crime. We're deciding on 10 years to 20 years, when 5 years would be enough. Okay. The deterrent value, the additional amount of leverage that you get over a criminal to keep them from breaking the law in the first place, associated with making the sentences longer, is de minimous; it's essentially nothing.
Nothing wrong with changing your mind. That's a very unwaffling thing to say: "Nothing wrong..." Who am I to say that there's nothing wrong with it? Maybe something is wrong with changing your mind. Anyway, love is very, very difficult. I love. But probably because I hate myself on some deep, sick level, it makes loving difficult. But I do try.
A poet must never make a statement simply because it sounds poetically exciting; he must also believe it to be true." - W. H. Auden "A poem...begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness...It finds the thought and the thought finds the words.
To keep something around just because it is already on the books, I think, is wrong.
We thought we knew 20 years ago. That led to some alarmist books – mine included – because it looked clear-cut, but it hasn’t happened. The climate is doing its usual tricks. There’s nothing much really happening yet. We were supposed to be halfway toward a frying world now. The world has not warmed up very much since the millennium. Twelve years is a reasonable time. The temperature has stayed almost constant, whereas it should have been rising - carbon dioxide is rising, no question about that.
Power and those in control concede nothing ... without a demand. Hey never have and never will... Each and every one of us must keep demanding, must keep fighting, must keep thundering, must keep plowing, must keep on keeping things struggling, must speak out and speak up until justice is served because where there is no justice there is no peace.
It is no great art to say something briefly when, like Tacitus, one has something to say; when one has nothing to say, however, and none the less writes a whole book and makes truth into a liar - that I call an achievement.
I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.
The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow-poets. This means, in fact, he writes for his fellow-poets.
Are you implying that shreds of my reputation remain intact?" Will demanded with mock horror. "Clearly I have been doing something wrong. Or not something wrong, as the case may be." He banged on the side of the carriage. "Thomas! We must away at once to the nearest brothel. I seek scandal and low companionship.
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