A Quote by J. Courtney Sullivan

As a little girl, my dollhouse allowed me to imagine a big, perfect, grown-up life in which I'd be effortlessly domestic. — © J. Courtney Sullivan
As a little girl, my dollhouse allowed me to imagine a big, perfect, grown-up life in which I'd be effortlessly domestic.
I had to be a grown-up when I should have been a little boy, and now that I'm a grown-up my little-boyness has exploded out of me. I've lived my life backwards.
I haven't grown since I was 13, and every girl cast opposite me isn't allowed to wear heels on camera, for fear that I would look minuscule. In all of the casting calls for my best friends on every project, it says in big, bold, red letters: 'Please no high heels.' It's a little embarrassing.
My fans have grown up with me and seen my life change over the years, from a young girl with 'Goodies' to a full-grown woman and now mom.
Bathrooms have always been a big issue in my life. My parents fought for me to be able to enroll in elementary school as a girl, which I did. But I still would not be allowed to use the girls' room under any condition.
When I started writing my second novel, I decided that one of the characters would have a passion for dollhouses, which allowed me to do hours of guilt-free 'research' online and at the Manhattan Dollhouse boutique inside F. A. O. Schwarz.
I was in line at a store and there was a little girl, she was standing in line next to me and some other girls had come up to me and recognized me from 'Pretty Little Liars.' When they walked away, this girl was staring at me, and her eyes got so big, and she started crying. It was, like, the cutest thing.
Things certainly aren't the way you imagine them when you're a kid and dreaming big dreams about what your life as a grown-up will look like.
I loved 'Welcome to the Dollhouse.' That was one of the most influential movies ever. You know that genre with the nerdy girl, and she redeems herself in the end. Like 'Napoleon Dynamite.' And in 'Welcome to the Dollhouse,' she doesn't. She sucks. It's like, that's what's real. That's what's heartbreaking.
For me, 'I Am Woman' is all about transition. I turned 21 in December, so I'm not completely grown up yet but I'm not a little girl anymore. Just in that in-between stage. The song is everything I have ever heard a woman say. I loved this song for me and every young lady, girl and woman to be able to feel empowered in being female.
I did a stint on 'Dollhouse,' and prior to my stint on 'Dollhouse,' I had no plans to be working with Joss Whedon until he said, 'Hey, do you want to do this?' When he calls, I'll pick up the phone, and that's how that works.
I am not perfect! When I was a little girl I thought I was ugly. My nose was too big for my face.
I'm not a grown up until everybody realises I'm a grown up. When everyone remembers me as the dirty kid singing little songs I am the dirty little kid.
There's drama in everything. That's why I love movies. Like Welcome to the Dollhouse, I'm a 350-pound black man, and I could understand what it was like to be a little white girl.
There's drama in everything. That's why I love movies. Like 'Welcome to the Dollhouse.' I'm a 350-pound black man, and I could understand what it was like to be a little white girl.
I can't help but be a different person now that I've had kids. That really does change your whole perspective on life for the better. I definitely feel like I've grown up. So, I guess in a way parts of me are going to be different, but in general I'm still the same girl from the Bronx who had big dreams.
"Dollhouse" was definitely inspired by the whole Edward Scissorhands vibe where all of the houses are perfect, but inside each home there are very messed up families.
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