A Quote by Jay Michaelson

[Bob Dylan] is a preacher but also a sinner; a poet but also a pitchman; authentic all-American but also invented persona. — © Jay Michaelson
[Bob Dylan] is a preacher but also a sinner; a poet but also a pitchman; authentic all-American but also invented persona.
I'm also a big Bob Dylan fan. The songs on The Freewheelin' Bob Dylan - which is one of his best early albums - they grow out of some of his difficulties with Suze Rotolo, and "Hard Rain," people say it had to do with the Cuban missile crisis - probably not. He denied it. I believe him, but it certainly had to do with the time.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
I'm a big Bob Dylan fan. I'm also a blues geek.
Growing up, I listened to a lot of American singer/songwriters, so a lot of Tom Waits, Paul Simon - also Woody Guthrie and Bob Dylan. And bands like Vampire Weekend.
[Bob] Dylan is a contemporary Don Quixote, at once besotted by the promise of America and yet also undermining it.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
[Bob] Dylan thus deserves the Nobel Prize, not just for "new poetic expressions within the great American song tradition," as the Nobel committee aptly described his work, but also for embodying the contradictions within it.
[Bob Dylan] builds his lyrics, of course, from personal experience, but it's also a literary work. He draws heavily on his knowledge of American lyric tradition as well as European modernism. But he should let the Nobel Prize Committee know if he is accepting it or not.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
Paul [ Burwell] and I had also got interested in making books. We'd been working with Bob Cobbing, the sound poet, since the beginning of the 70s, and Bob had this press called Writers Forum.
The family on my mom's side, their whole business is inventing and pitching stuff. My grandfather is in infomercials. He's a pitchman, so if you're ever watching TV late at night, you'll probably see him pitching knives. My great-grandfather also invented the plastic cheese grater.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
Bob [Dylan] is not authentic at all. He's a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I.
I love that Euro-pop dance music, but with girl power. I also listen to Janis Joplin and Bob Dylan. I have a Beatles song tattooed on my foot. I'm all over the place.
I feel like we're very lucky in the sense that Dawes can be the kind of band that plays with Bright Eyes or M. Ward but that also plays with Bob Dylan.
I am a child of the '70s, so I love classic rock - Bob Dylan, The Rolling Stones, Led Zeppelin, Van Morrison, and I also love Coldplay.
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