A Quote by Jay Mohr
You don't have to be Willy Loman about it. But, "Airline food is crazy. Hey, what's with these rent-a-cars?" or you go up and talk about how Christopher Walken wanted to know where my dog's tail went. That really happened to me.
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'Streetcar' is no longer about the moment at all. There is no Blanche DuBois anywhere; south, north, east or west. We don't have Blanche DuBois at the moment. But we have Willy Loman; everywhere we look we see Willy Loman. We are Willy Loman. We're on Facebook; we need to be known; we're selling all the time.
I'm not really interested in rappers who talk about rap. I don't talk about it, and I don't like listening to other people talk about it. So I stick to the things that I know. You know, things like cars, ultimate fighting. I have a lot of songs about cars, because they're a big part of my lifestyle.
If everyone else is doing something, I have little or no interest in it. If you're known as this guy who can do any kind of sound or voice or whatever, somebody will go, "Do you do Christopher Walken?" "No." "Well, why not?" "Because everybody else in the world does it." My carpenter does Christopher Walken.
The first day of shooting I walk up to Christopher Walken, and I said, Should I call you Mr. Walken or Chris? He goes, 'Call me Flash.'
I talk to people who go to rehab, and they get this AA book that they've got to read everyday - really thick book. They go through all these 12 steps and do all this and that. It's crazy how everybody can sit and talk about rehab but if I come to say Christ was my rehab, it's not cool to say that. ... For me that's my rehab. That's what happened with me and it's an amazing and powerful thing.
The airline business is crazy. I've not been enamored with the industry in general. You can't depend on anybody and anything. It's dog-eat-dog and one thing or another from one minute to the next. What I understand about it, I don't like what I see.
My father was like Willy Loman, you know: he never really made it - and he was from a family where there were people who had made it.
What used to keep me up at night was the fact that I didn't know how I was going to pay the rent. Now that I can pay the rent, I'm worrying about people I care about, you know, the people I love. The little aches and pains of my children that I, my family. That's always first.
We wanted to talk about death in the DC Universe, and how some people go to get a pass and come back, and some people didn't. That opened up a whole other topic about legacy. We wanted to talk about what was required to be a hero, what were the elements of true heroism?
You have to do stand-up quite a long time before you learn how to do it well. It was probably years before I was confident enough in stand-up that I was able to talk about the things I wanted to talk about, the way I wanted to talk about them.
I live on a train. I know - what a sad thing to admit. I am the New-Age Willy Loman. But there it is.
The strangest thing has happened. I really missed my dog. That's never happened to me before. You know, on a long tour you do hear people saying they miss their pets. I never have. But last night I started really missing my dog. It's very odd, 'cause I don't have a dog.
I was nervous about playing a lead part in a Working Title romantic comedy and I was also nervous about the fact that I not only had to take my clothes off, but get my willy out. There's certain things you can do to make yourself look better, but there's nothing you can do about your willy. Your willy is your willy and no amount of working out is going to make your willy look any different. You get what you're given. But I wanted to look my best and to whip myself into any semblance of handsomeness. And that was hard going.
Sometimes life is so crazy, you have to go through something to be able to find out what you're supposed to talk about next, and I think that's what happened to me.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
It may be hard to remember how difficult it was for people to talk about HIV/AIDS back in the 1980's and because of both Ronald Reagan and Nancy Reagan - in particular Mrs Reagan - we started a national conversation, when before nobody would talk about it, nobody wanted to do anything about it. Something that I really appreciate was her very effective but low-key advocacy, but it penetrated the public conscience, and people began to say "hey we have to do something about this too.
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