A Quote by J. Robert Lennon
Treasure nothing, be willing to throw out anything. The story you just wrote that you are proud of should not be coddled and worshipped. You can do it again. If your house burned down with all your work inside it, you would still be the writer you are, and you would continue to be worth something.
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This is the national equivalent of having no savings, your credit card maxed out, you didn't renew your insurance, and now your house has burned down. The only way we can start to solve this is rolling back the tax cuts for the rich, which would save about $70 billion.
No matter how public your work is, it's just a relationship with yourself. And you have to create a little sacred space inside yourself to treasure that... because when you die, that's still what you have. It's what you're born with and what you leave with. It's kind of a story of the way you accompanied yourself through your life.
If it were any other way, it would be easy. And if it were any other way, everyone would do it and your work would ultimately be devalued. The yin and yang are clear: without people pushing against your quest to do something worth talking about, it's unlikely it would be worth the journey. Persist.
What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.
You can be slum-born and slum-bred and still achieve something worth while; but it is a stupid inverted snobbishness to be proud of it. If one had a right to be proud of anything, it would be of a continued decent tradition back of one.
And even if you were in some prison, the walls of which let none of the sounds of the world come to your senses - would you not then still have your childhood, that precious, kingly possession, that treasure-house of memories?
I've had stuff of mine adapted by other people, so I've come to the conclusion that a movie is a different form from a novel and there is no such thing as a true adaptation. You have to adapt to this other thing and do it right. But that voice of the original should somehow still be there, and the original intent should still be there. So if the original writer saw the movie, the writer would say, "Well, that's not what I wrote, but that's what I meant." And if you can do that, I think you've done your job as a screenwriter.
I would tell startups to just keep your head down, keep building. Your contingency plan, if you have one, should be because you are still spending more than you make and you still don't have a line of sight for that J curve. That is the most important contingency. Because otherwise you are betraying that equation to your cofounders, to your investors, to your employees and to your customers.
Imagine if your business burned down and you had to walk across the street and start again, what would you do differently?
You think about when you're with your friend, and you hang out with your friend. And then you go do whatever you're doing, your life. You know, and then you see your friend again. But for us, we were friends that, we would be together, and then we would go to work, which was us still again, so we were always together.
I think there is nothing that can replace your emotional response. The biggest mistakes I have ever made in my life are when people told me, "You really should produce this. It's a guaranteed hit." I would read the material and I would go, "I don't get it, but okay, I'll produce it." You're giving up that much of your life, your time with family and friends, to something that you're not really committed to - and they did not pan out the way everyone said they would, even though I worked just as hard.
Listen, the story of the United States is this: One kid, without anything, walks out of his house, down the road, with nothing but a guitar and conquers the world. And we've done that again, and again, and again – Johnny Cash, Hank Williams, Bob Dylan, Bruce Springsteen, Jimmy Rogers, Howlin' Wolf, Muddy Waters.
Just because you did something once doesn't mean anything. You have to be willing in your heart to begin again every day. The minute I'm not willing to do that, I will retire.
When I was going to school and under the influence of Abstract Expressionism, I believed that if you had a give-and-take rapport with your work that it would be you, and that would be all that was required. It would be honest, and the core of your personality would come out if you responded to position and contrasts in your work.
Before I published my first book, I worked for a while as a documentary and wedding/bar mitzvah videographer, and a part of me still mourns the lost filmmaker I'll never be. Working on a documentary is nearly the opposite artistic process to writing: as a writer you are always trying to fill out a world to fit your story, but as a documentarian your work is to carve a story out of the world. Sometimes, when I'm feeling particularly blocked at my computer, I miss the days when I could just point my camera at something interesting and wait to see what happens.
You can't write your life story and leave out one of the most important things that happened to you in your life. I think that that would be dishonest, and it would be something people would be very angry about.
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