A Quote by Jaden Smith

The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them. — © Jaden Smith
The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
I think that the cinema is a physical thing. What I'm looking for is creating a physical shock with the audience. I don't care of the meaning. I don't care of the idea. I don't want to say something. I want to make a 'shock physique.'
I didn't want to be a shock absorber; I wanted to deliver the shock.
You don't do things for shock value anymore, because that's not even the language of today. At least, that's not what interests me. If I do it, it's because I want to see things in another way, not necessarily because I want to shock anybody.
Dying is like diving into a deep lake on a hot day. There's the shock of that sharp, cold change, the pain of it for a second, and then accepting is a swim in reality. But after so many times, even the shock wears off.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It's impossible trying to act it; it just happens. It's a very important question: no acting.
When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
That's all I want - to shock the world. The only way to do it is to do something hard.
You don't want to shock them and do something totally opposite, but you also want to play a different character.
Trouble is, kids feel they have to shock their elders and each generation grows up into something harder to shock.
It was a shock to everyone when I became a rapper. Huge shock to everyone. But I knew it all along. I just didn't want to tell anybody cause then it's like, What if it doesn't work?
I use the [vulgar] words because apparently these words do not corrupt morally. I'm from the street in New York, hung around in a tough neighborhood. It was common to curse, you make your point. It's a very effective language. I try not to overdo it. It's never to shock. I know where it fits, it's never to shock. There's no shock value left in words.
Getting hit is part of the job. You don't want the first time you're getting punched to be in the fight because there's a lot of shock and awe and you won't react well. I like to get hit in sparring. I don't want to get concussed, or I don't want to be getting knocked out, but I want some shock treatment to prepare me for the fight.
We never really tried to shock for shock's sake on 'Family Guy'. If something was horribly offensive and shocking, we would put it in if it was also hysterically funny.
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