I know when I get to 0-2, 1-2, when I'm ahead in the count, that I hold a distinct advantage over every single hitter. I have so many options because I don't have to work within the strike zone anymore.
I'm always amazed when a pitcher becomes angry at a hitter for hitting a home run off him. When I strike out, I don't get angry at the pitcher, I get angry at myself. I would think that if a pitcher threw up a home run ball, he should be angry at himself.
It's an ongoing process of reinterpreting the strike zone in accordance to the rulebook. The umpires, I think, are doing an excellent job of bringing the outside pitch in closer to the plate. But I still think we have a lot of work to do with the low end of the strike zone.
Anytime you can see a hitter and face a hitter, you gain knowledge, and you gain that experience. Whether they hit a homerun off you, or you strike them out or whatever it is, it's information.
I had a strong vision for 'The Best Man Holiday,' so I was able to translate that to the actors and ultimately to the screen. Things can't get too heavy or too outrageously funny; it has to strike a balance. Tone is everything. If you've set the right tone, you can get away with a lot of stuff. You can get away with making people cry.
I am trying my best to strike a balance. How many hours a day can I work? I work for 12-15 hours a day; it gets very strenuous. I balance between Telugu, Tamil, and Hindi.
When you bowl at him you are not just trying to get him out, you are trying to impress him. "I want him to walk off thinking 'that Flintoff, he's all right isn't he?" I feel privileged to have played against him.
When we get in the red zone, we have the mentality that we're trying to get points. We're not satisfied with three points. We're trying to get touchdowns each time we get in there.
I took so many years off my fighting career arguing with Dana, trying to get a fight with Shogun Rua, not trying to fight this guy, trying to do all this stuff. At the end of the day, it didn't really matter much. I just lost time.
You have a white guy as an announcer and sportscaster. Me, I'm black. I do it and I've already done some stuff in the past. We're more expressive than the white guys. You look at the skill players. We're the ones that get into the end zone. We get in the end zone more than they do.
Playing halfback in high school and college was marvelous! It taught me how to get to the end zone. I wanted to make my nickname "End Zone Tommy!"
It's so much work to make a movie, and for me it has to get me off my butt. To get me actually writing you have to strike something inside, you have to hit a power main to get the energy. You have to strike something you care about.
Balls and strikes are the basic tenet to everything in baseball. From the perspective of hitting, pitching, offense and defense, it's all about the strike zone and how the battle is waged there between the pitcher and hitter.
There's only a certain percentage of the strike zone that you can do extra-base hit, barrel damage with the ball. Just because it's in the strike zone doesn't mean you have to take a cut at it.
Whenever I get the ball in my hands, I just try to get the thing as north as possible and get in the end zone.
We were brothers off the field, but there was no love lost on it. We fought like cats and dogs. Wes was always trying to strike me out, and meantime, I was always trying to hit a home run off him.