A Quote by Jake Busey

I go on at least 2-3 auditions a week in the pursuit of more work. So I'm constantly working on material and constantly honing and trying to perfect a craft that is never perfectible - it's always new, and it's always different. It's always a work in progress.
I feel like the more I work on different songs and the more I work on my voice constantly... I always feel better after I post a cover. Even if it's doing the little 15 second covers, I'm working on my craft, and it's really good for me, and I feel good after I do it.
We're not always in the position that we want to be at. We're constantly growing, we're constantly making mistakes, we're constantly trying to express ourselves and trying to actualize our dreams.
I just feel like bands always need to work harder than the hardest working band. You need to constantly be one-upping yourself and surprising yourself at how hard that you'll work and devote yourself to your craft.
I've found a lot of the thinking in America is that a lot of people become actors to become famous. At least from my experience, I have a dozen or so British friends who are actors, and if you look at their body of work, and they'll go do theatre, and they'll go do this and this. They work, and they're always honing and trying to be better.
Don’t look at other people and compare yourself. Just do the work. Because when the opportunity is there, you have to be ready. Make sure your craft is refined and you’re constantly working on it. Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.
In the ring, you're constantly working out and honing your craft, and you're doing the same thing with acting, too - taking classes and working with vocal coaches.
I've always felt very convicted that I didn't want to work in kind of the Christian film-making ghetto. My calling was always to show myself approved and worthy to work at the highest level possible in terms of craft and working with very gifted people and trying to be excellent in everything.
I'm always around creative people, and I'm trying to work on something constantly at all times.
When you work for long, you know things about your craft, but how differently you are going to project it so that it can still look new is what I am constantly trying.
I've always had an overwhelming desire to express a particular set of ideas. As a musician, I'm always working with different people who can teach me new things and, through that, reach closer to an idea of this perfect expression. I'm never setting out to change the face of electronic music; I'm just trying to define this vision.
I'm a constant work in progress, always working on every aspect to get better and better. You're always going to see a different Tyson Kidd.
My hands. I'm constantly working on my hands. I'm constantly working on my ground game and constantly trying not to get satisfied with where I'm at with my career and where I'm at as an athlete. I'm somewhat happy, but never satisfied.
What I love about working with Diplo is that it feels very free and fluid - we can work on a song apart from each other or in the studio, and it's always, 'Let's brainstorm, here are new ideas.' I like that kind of workflow, where it's constantly moving.
We always looked at the movie sequels that we admired, and they always pivot and they always try new things. Even if you swing and miss, at least you're trying something different.
When you're coming up with new material, it's not always gonna be good. The only way to learn is for it not to get a laugh, so you can adjust it and come back the next day to see if it's working right. Next time, you might get a different laugh. You're constantly rebuilding.
If a person is constantly evolving, constantly reading new material and being exposed to new material and growing in life, then you're becoming, hopefully, a more intelligent and well-rounded individual. If you're not then something's wrong and you're sliding back in the other direction.
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