A Quote by Jake Gyllenhaal
Hardest emotion? They're all pretty damn hard; I don't know really if there's one specifically, but I do think, I don't know what's happening or what I'm feeling when I'm actually listening.
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In fiction you can make up everything to create the feeling. You can manufacture a story with whatever tools you want. With nonfiction you have to rely on what actually happened to describe what you're feeling. That's hard. You have to know what will feed into the emotion you're trying to convey. And that's hard because you don't necessarily know what causes your emotions.
I have a really hard time watching my sister act in anything but especially anything where it's a strong emotion. Whether she's crying or she's angry or she's - whatever emotion she's feeling I actually think that she's feeling it and I want to hug her and make it all better.
I think about every song is pretty much raw emotion - even if it's not specifically about topic there's songs like "All I Know Is Pain" and "Green Piece of Paper".
I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.
One of the hardest aspects of this protracted public persona is not knowing others as well as they feel they know me. It's a rather clumsy feeling actually; to not know someone who acts as though you're old friends.
I think in L.A., in terms of the music scene, it's a really strange place. It's really hard to get the feeling that something's happening, or the feeling that something can make it out of there.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
Finishing something is the hardest part. You know it's not as good as you hoped. You know there are plot problems. You know that by finishing it, you're saying - even if only to yourself - 'This is the best I can do.' And because it's not perfect, that's really hard.
I think, probably when I was 15 or so, I was going through a really hard time with my family, and I just felt really helpless - I didn't know how to put anything I was feeling into words, and I was really confused, and I felt like nobody would hear me, but I didn't even know what to say.
Having my Canadian citizenship is a blessing at this time, and there's a part of me that feels very much one foot in and one foot out, and I know I can go back to Canada whenever. There are a lot of things that Canada does really well are the same things that are very messed up in the U.S., but I know that's a pretty self-centered stance. I don't know. It can be pretty discouraging, particularly in a city like New York. It's hard to see so many of the issues happening in the country in an up close way, but at the same time, there's a sense of positive solidarity here.
I know specifically me being somebody who has had most of my experiences within the black church, that's cultural... you gotta put on your church clothes when you got to church...and it's nothing wrong with that - that's absolutely fine! But I think what's happening to a new generation ,the hip hop generation, there's astigmatism, a feeling that I'm unwelcome.
I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.
I don't know anything that gives me greater pleasure, or profit either, than talking or listening to philosophy. But when it comes to ordinary conversation, such as the stuff you talk about financiers and the money market, well, I find it pretty tiresome personally, and I feel sorry that my friends should think they're being very busy when they're really doing absolutely nothing. Of course, I know your idea of me: you think I'm just a poor unfortunate, and I shouldn't wonder if your right. But then I dont THINK that you're unfortunate - I know you are.
Everyone knows the idea of moving to another country is really hard, but when you're actually in the situation - and you don't know the language and you don't know anyone - it's like you don't even know what questions to ask.
If I've learned anything over the past 5 years, it's that you do not know where you're going to be tomorrow. You have to make decisions based on that; it's almost pointless. So, you know, whether I learned, I think I'm pretty aware, pretty conscious of that point to live in the moment. It's a hard lesson, but it's like, I'm trying to learn to quiet my mind down, know what I mean?
All you really need to know for the moment is that the universe is a lot more complicated than you might think, even if you start from a position of thinking it's pretty damn complicated in the first place.
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