A Quote by Jacob Batalon
I've met Michael Keaton, John Favreau, Marisa Tomei - they're all really amazing people and really, really professional. I've learned so much from just watching them operate on set.
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I did ask Larry David, "How did I get so lucky? How am I here Seinfeld?" He just said, 'Well, when you say your name over and over it just has a really strong rhythm: "Marisa Tomei. Marisa Tomei."
There's something really amazing about watching an actor like Michael C. Hall or Jennifer Carpenter, who are completely professional and do everything so brilliantly, but yet can have a really great time on set.
Michael Keaton is amazing. He's one of my favorite actors. To get to work with him was a privilege and really was a wonderful thing.
I was blown away watching Michael Keaton act because he was such a maniacal, evil person on set. He takes on a totally different life, and it was so amazing to watch him work.
My parents are really, really talented and really good at what they do, so I've always learned from watching them. But their style is something that you can't really learn. They never went to drama school and neither did I.
I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
Coach Spurrier was just an amazing competitor. I felt I learned to really love the competition of it all from watching him and being around him. All his assistant coaches were great recruiters, very professional in how they handled their business. So as a young guy, I got to see that all the time.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
When you really study espionage movies, or spy movies, the beginnings are really set up to have, like, an amazing bit of action, but at the moment you're watching it, you have no idea why or what it's about.
We have a really incredible fan base... they're... the ones that are rooting for us and buying the music and streaming it. They're just really, really amazing... and we're just so thankful for them.
I mean, it's amazing that I get to meet all these people. I've learned so much from all of them. I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.
I really believe that professional wrestlers are not protected. I think everybody gets a big kick out of watching them and whether the wrestling is real or not, people love watching it.
Kurt Russell is amazing. He's really nice. He's really funny. He's really professional, and it's great to see him work and to see someone who's done so many movies and who's so down to earth, it's great. I feel really lucky.
'The Blacklist' was really right place, right time. I read the script and met with Jon Bokenkamp, John Eisendrath, John Fox and John Davis, and we just hit it off. They understood that I was not so much trying to adapt to television, but adapt a cinematic style to the things that we were gonna do.
I've never met a bread basket that I didn't love. At the same time, it can make me tired. If I have too much wine, it's too much sugar. If I overindulge on tortilla chips in a Mexican restaurant, I can really feel it. I think sometimes just watching it and not doing things in excess can really help with whether you feel good or not.
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