A Quote by Jacob Collier

There's one song that I recorded called 'Saviour' and every single sound from that song was actually recorded in a shipyard on my iPhone. — © Jacob Collier
There's one song that I recorded called 'Saviour' and every single sound from that song was actually recorded in a shipyard on my iPhone.
One of the songs we recorded for 'The Long Run' was called 'You're Really High, Aren't You?' Which never really made it onto a record, but later on, it became 'Heavy Metal.' I took that track that wasn't used, and when I was invited to write a song for that movie, I took that track and recorded that song for that movie.
The first song I ever had recorded by another artist was a song called 'Surefire Feeling' by Jake Owen.
The tune 'All My Friends,' we recorded because our friend who wrote the song, Scott Boyer, passed way, and Gregg Allman had passed and he had recorded the song on his first solo record.
I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.
I definitely like the oddballs. There's a song called 'Little Thing,' which is the only song that I have recorded that has no words. And it's the one that I get past my critic inside me.
Here's the way the licensing works ... If you write a song, nobody can record your song before you do without your permission. But, once the song is recorded, they can get what's called a 'compulsory license', and they can record the tune, but they have to pay you royalties.
'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
The interesting thing about a song like 'Bulletproof Heart' - it was [originally] called 'Trans Am' - the interesting thing about the amalgamation of that song was that the song also lived within us, like we all got to live with the song and it was around for about a year before we recorded it again, so the song got to really transform, which you don't really get to do.
Every single day I wrote a song, I was hoping somebody like Luke Bryan, Jason Aldean or whoever would record the song. It's tough to do because there are so many great songwriters in Nashville, and I was lucky enough to get some songs recorded before I got my record deal.
Hark, the glad sound! The Saviour comes, The Saviour promised long; Let every heart exult with joy, And every voice be song!
If I found out some gal was trying to steal my guy, I'd want to give her a black eye! Instead, I wrote this song. At the time I was writing each song [on this album], you could figure out the frame of mind I was in by listening closely. With every song I've ever recorded, I'm in it. I wouldn't write about it if I wasn't in it.
Sam Phillips asked me to go write a love song, or maybe a bitter weeper. So I wrote a song called, "Cry Cry Cry," went back in and recorded that for the other side of the record.
I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.
I recorded a song called, I Fall to Pieces, and I was in a car wreck. Now I'm worried because I have a brand-new record, and it's called Crazy!
I recorded the song 'Believers' because I feel the song has a strong and much needed message. We all need encouragement and something to believe in.
In a song you can kind of stage-manage everything so that it puts you in a good light. And once a song is recorded, it always performs well.
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