A Quote by Jamie Bell

What's weird is that I work with these directors and then I start channeling them. I kind of turn into them a bit - which is cool when you're working with Clint Eastwood.
If you were in Clint Eastwood movies, you were in the Clint Eastwood movie business. You weren't in the movie business. You weren't part of Hollywood. This became clear early on; people stopped calling. They automatically assumed I was working exclusively with Clint.
To be brutally honest, I am a little bit of a Clint Eastwood nerd. Clint Eastwood who was the man who drew me into movies. When everybody else was watching Star Wars, I was watching Fistful of Dollars.
Rob [Reiner] is a teddy bear. He's hell delicious. He's a really good director. He's a great soul. In the movie business, I would call him a movie mom. The only person I hold in equal esteem is Clint Eastwood. Now I have worked with a lot of terrific directors, and I don't mean to be putting any of them below their own station, but these two, I relish working with them.
Clint Eastwood, to me, is Clint Eastwood. He's great at being Clint Eastwood. But, I don't know how to be that guy. I just don't know how to be one person.
I adapt to directors, I don't like making directors adapt to me. If I'm with Clint Eastwood then I'll do two takes, if I'm with Fincher I'll do 50 - though the thought of that sounds horrible.
People forget that it's an acting assignment. You can work with someone for three months, three years or 30 years, and then you move on. I've done I don't know how many films, and I can look at the film and know that I worked with Clint Eastwood, but I'm not still trying to hang out with Clint Eastwood. We did our jobs.
Every time I watch a Clint Eastwood film, I'm in touch with my feminine side, I've developed a searing man-crush on Clint Eastwood.
I've had a real lucky time working in Hollywood. I've talked to other screenwriters, and they're all kind of beaten down and their spirits are crushed, because they work on these screenplays and these projects, and then directors either take them and change everything, rewrite them and make them worse, or they film them and they're nothing like how they imagined it to be.
Rod Lurie is one of the most wonderful directors I have had the pleasure to work with. He shoots like Clint Eastwood: no fuss. When he gets it, he knows it - one or two takes.
People think I'll kill you if you make a joke. I compare it to Clint Eastwood. I've only seen Clint Eastwood in movies. You think if you make a joke to Eastwood, he might shoot you.
Herb Solo at that time was the head of MGM. I said, 'I want to live like Clint Eastwood.' Did I know at that time Clint Eastwood, to him, Heaven was a truck, a dog, and a picnic basket for food or something?
Clint Eastwood's sex therapist, who said to Clint, Do it any which way you can, but no sudden impact. Never got a dinner!
My dad traveled a lot, so I only usually saw him on weekends, growing up. His favorite actors in the world were Clint Eastwood and Burt Reynolds. If Clint or Burt had a movie out, we would go to the movies. He didn't like movies, generally, unless Clint or Burt were in them.
I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.
One of my favorite directors is Clint Eastwood, and I hear about the way he works, and I think I'm of a similar style. Very few takes - you get what you take, and you move on. It's very much a job and work.
I went from working with Spielberg to working with Clint Eastwood - I might as well just retire.
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