A Quote by Jaimy Gordon
Even in a crowded field, it is a rare pleasure to come across a prose stylist like Kellie Wells, whose intellect and language bid one another beautifully to a dance. She dares to be at play in the most unsettling questions of her day. Surely when the present generation of writers shakes down to its unique and irreplaceable voices, Kellie Wells will be one of them.
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Back in 2004, Kellie Overbey handed me her play 'Girl Talk' to read. I fell in love with her brutally delicious humor and the fearlessly deft way in which she drew her characters. They jumped off the page and begged me to give them a space in which to stomp around.
Kellie Overbey gave me this play called 'Girl Talk.' I read it and totally fell in love with the characters. I told her she had to let me direct it and put Marcia DeBonis in it.
I think there's always been a traditionally apocalyptic side to British science fiction, from H.G. Wells onwards. I mean, most of Wells' stories are potentially apocalyptic in some sense or another.
If the kingdom of God had departments, we’d want to work in research and development. We felt like Jesus didn’t hang out at the synagogue, he hung out at wells. Coffeehouses are postmodern wells. Let’s not wait for people to come to us, let’s go to them.
But wells don't come without first begging to see the wells; wells don't come without first splitting open hard earth, cracking back the lids. There's no seeing God face-to-face without first the ripping.
I'll oil wells love you. I'll oil wells care. I'll oil wells need you. I want you oil wells dear.
RIHANNA IS TODAY'S MOST FASCINATING PERFORMER, A MYSTERIOUS AMALGAM OF AMIABLE WARMTH AND GLITTERING CHARISMA. WITH HER KEEN CREATIVE EYE FOR LINE AND COLOR, SHE HAS BECOME A FASHION ICON, LIKE AUDREY HEPBURN. YET SHE IS A TEMPESTUOUS WILD CHILD AND INTERNATIONAL ADVENTURESS, LIKE AVA GARDNER. MOST IMPORTANTLY, AS AN ARTIST IN THIS OVERMECHANIZED AGE, SHE BRAVELY DRAWS ON DEEP WELLS OF PURE EMOTION, ENDEARING HER TO MILLIONS OF FANS WORLDWIDE.
We all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid. The right words and sentences just do not come pouring out like ticker tape most of the time.
I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her. (Although when I mentioned this to my priest friend Tom, he said that you can safely assume you’ve created God in your own image when it turns out that God hates all the same people you do.)
Every act of motherhood contains a dual intent, as the mother holds the child close and prepares it to move way from her, as she supports the child and stands it firmly on its own feet, and as she guards it against danger and sends it out across the yard, down by the stream, and across the traffic-crowded highway. Unless a mother can do both - gather her child close and turn her child out toward the world - she will fail in her purpose.
In adopting the form of the adventure novel, Wells deepened it, raised its intellectual value, and brought into it elements of social philosophy and science. In his own field - though, of course, on a proportionately lesser scale - Wells may be likened to Dostoyevsky, who took the form of the cheap detective novel and infused it with brilliant psychological analysis.
Capitalism rules worldwide, and a society whose economic fabric depends on constant growth requires that its citizens have ever-expanding needs and wants... In the West, it will take one with soul force equal to Gandhi's to change the prevailing dogma of ever increasing GNP. We may be forced to change our profligate ways some day, when the soil is depleted, the aquifers drained, the icecaps melted, and all the oil wells pumped dry. But the crisis will wait another fifty years or so; we'll leave those problems to a generation yet unborn.
Papa, do you like my new friend?" Frances Catherine asked when they were halfway across the field. "I surely do." "Can I keep her?" "For the love of...No, you can't keep her. She isn't a puppy. You can be her friend, though," he hastily added before his daughter could argue with him. "Forever, papa?" She 'd asked her father that question, but Judith answered her. "Forever," she shyly whispered. Frances Catherine reached across her father's chest to take hold of Judith's hand. "Forever," she pledged.
There are many wells today, but they are dry. There are many hungry souls today that are empty. But let us come to Jesus and take Him at His Word and we will find wells of salvation, and be able to draw waters out of the well of salvation, for Jesus is that well.
In that last dance of chances I shall partner you no more. I shall watch another turn you As you move across the floor. In that last dance of chances When I bid your life goodbye I will hope she treats you kindly. I will hope you learn to fly. In that last dance of chances When I know you'll not be mine I will let you go with longing And the hope that you'll be fine. In that last dance of chances We shall know each other's minds. We shall part with our regrets When the tie no longer binds.
I think Kellie Martin, Reese Witherspoon and Claire Danes represent the future for women in film, and I would be honored to share the stage with any one of them.
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