A Quote by Jamie Wyeth
I mostly paint animals I'm familiar with, but I did a series of paintings of ravens, so I read everything about them.
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I don't paint over my paintings with black paint. I paint black paintings. It isn't because I'm sad, just as I didn't paint red paintings yesterday because I was happy. Nor will I paint yellow paintings tomorrow because I'm jealous.
The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
I also paint and enjoy acrylic medium; some of my close friends have paintings I did for them.
Most of my reading is based on what I'm working on. I did a series of paintings based on the seven deadly sins, so I read Dante and then Milton's 'Paradise Lost.' That was a bit hard going.
For me, art is always a kind of theater. When I started the spot paintings I made them as an endless series. But I was never serious about it being an endless series. It was just an implied endless series. The theater means you just have to make it look good for that moment in the spotlight.
For me, art is always a kind of theater. When I started the spot paintings, I made them as an endless series. But I was never serious about it being an endless series. It was just an implied endless series. The theater means you just have to make it look good for that moment in the spotlight.
When I started to do these Pop paintings seriously, I used all these other paintings - the abstract ones - as mats. I was painting in the bedroom, and I put them on the floor so I wouldn't get paint on the floor. They got destroyed.
When you read Chekhov, everything has an even gray tone. When you read 'Family Life', everything has an even white tone. It is almost like when you paint on paper, and you can see the paper through the paint.
I think there is a classy way to go about changing people's views about how they treat animals, and that is with compassion, strategic moves, and passing laws to protect animals, not throwing paint and flour on people. That only turns them away from your whole purpose of helping those without a voice.
I think of film when I paint. Even the luminosity that I always keep working for is really about film. But my idea is not to paint paintings that will decorate somebody's house.
The night is full of stories. They float up like miasmas, as though the dead leave their dreams in the earth where you bury them, only to have them rise to meet you in sleep. Mostly the scenes are familiar, but sometimes everything is strange, the people unknown.
Ravens are the birds I'll miss most when I die. If only the darkness into which we must look were composed of the black light of their limber intelligence. If only we did not have to die at all. Instead, become ravens.
If you read a story with an 'I' or a 'he' or a 'she,' you're in familiar territory - but 'we' is mostly unexplored. I think of 'we' as an adventure.
You have to listen to your own voice. Not your heart, not your instincts, not any of that self-permissive psycho-babble stuff. No, none of that. If it was just about instincts and bright ideas it wouldn't need to be a voice. It's about words. You hear them, read them, then you write. But mostly read. Read the bloody poems.
As Jeremy Bentham had asked about animals well over two hundred years ago, the question was not whether they could reason or talk, but could they suffer? And yet, somehow, it seemed to take more imagination for humans to identify with animal suffering than it did to conceive of space flight or cloning or nuclear fusion. Yes, she was a fanatic in the eyes of most of the country. . .Mostly, however, she just lacked patience for people who wouldn't accept her belief that humans inflicted needless agony on the animals around them, and they did so in numbers that were absolutely staggering.
I used to be the hippest of them all. I used to know everything about everything. I used to read about everything that was going on, and I knew everybody's name and anybody in pop culture. Anything that was written about me, I would read.
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