A Quote by Jamie Foxx
Stand-up is my heart and now I get a chance to do that and the music altogether. That's going to be great. I'm trying to be the Sammy Davis Jr. of 2005. I'm planning on going out with Cedric the Entertainer because he's got that musical bone, too.
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Frank Sinatra was a great singer, but my favourite is Sammy Davis Jr. He had incredible versatility in his voice, often doing impressions of people. It's always going to be classic, and you'll never get bored listening.
Every time I was with Sammy [Davis Jr.] it was like going to the show business museum because the stories were so extraordinary, and I didn't care if they were true or not after a while. ... I don't know if he really got high with Humphrey Bogart or not. It didn't matter because he was painting these fantastic pictures.
Here's the mark that a lot of people miss nowadays. Producers missed. They leave out the heart and soul. And that's what I learned from Sammy Davis, Jr., from Frank Sinatra, is when you went to go see those shows, you got to know them.
I think I called myself an entertainer on my son's birth certificate. That sounds a bit Sammy Davis Jr. or Brian Conley, the sort of guy you just drop into a room and let them 'entertain.'
I grew up listening to legends such as Sinatra, Sammy Davis Jr., and Tony Bennett.
Moshe Dayan, who said to Sammy Davis, Jr., That's funny, to me you only look half Jewish. Never got a dinner!
An entertainer is someone who pleases others, and an artist tries to please himself. An artist is on a journey: they don't know where they're going, what is going to happen, but they know they are not there yet, and there is some continuity and growth. I think of myself as an entertainer: I'm a performing entertainer, I'm a stand-up comic. But there's an artist at work here, too. One who interprets his world through his own filter.
I personally knew and worked with Sammy Davis, Jr. Sammy hired me to open for him at Caesars Palace in Las Vegas when I was a 19-year-old standup comedian, and that's where my fascination with his incredible story began.
Stand up comedy is this thing you get to do, so you have to treat it with respect. You can't just be like, 'Alright, I got my hour down, people are coming to see me now. Now, I'm going to lean on the mike stand.' No, you gotta work even harder now. You got to top what you already did. Because they'll find someone else.
When you hear "Seinfield," no one says, "the Jewish comic." You talk about Cedric the Entertainer, you don't say, "African American comedian Cedric the Entertainer." Even Margaret Cho - who's like one of three Korean performers out there - no one refers to her like that. They say, "It's Margaret Cho."
I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.
My first ambition in life, I made up my mind I was going to become Miles Davis. I studied music, music theory. I played trumpet for nine years. One day, my mother explained, 'You can't be Miles Davis. There's one, and he's got that job.'
Please stop assuming that longevity and perfect health is always the correct option. No. Sometimes fun costs ya. It just does, you know? And that's OK, you're willing to make that purchase. Sammy Davis, Jr. was 64 when he died. Give me 64 Sammy-years, I'll be happy.
Twenty years from now we want people to come out and see us sing and dance in Las Vegas. Like Sammy Davis Jr., like Julio Iglesias, like Tom Jones. I believe there is a big future for us.
Then you realize that the preparation and the planning of this small army of people trying to head to the single aim of creating a work that's going to excite people is very risky. Of course, the odds are that it's not going to work out because there are too many possibilities of it going wrong.
My dream role? I think to play Sammy Davis Jr. and his life story.
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