A Quote by Jamie Hince

I'm probably quite practical when I'm on stage. I start off with a leather jacket, and then get too hot and take it off. I don't think too much about it. — © Jamie Hince
I'm probably quite practical when I'm on stage. I start off with a leather jacket, and then get too hot and take it off. I don't think too much about it.
A leather jacket,” Kami said as he shrugged into it. “Aren’t you trying a little too hard to play into certain bad boy clichés?” “Nah”, said Jared. “You’re thinking of black leather. Black leather’s for bad boys. It’s all in the color. You wouldn’t think I was a bad boy if I was wearing a pink leather jacket.” “That’s true,” Kami said. “What I would think of you, I do not know. So what does brown leather mean, then?” “I’m going for manly,” Jared said. “Maybe a little rugged.” “It’s bits of dead cow; don’t ask it to perform miracles.
Of all human activities, writing is the one for which it is easiest to find excuses not to begin – the desk’s too big, the desk’s too small, there’s too much noise, there’s too much quiet, it’s too hot, too cold, too early, too late. I had learned over the years to ignore them all, and simply to start.
Mama, I know you used to ride the bus. Riding the bus, and it’s hot and bumpy and crowded and too noisy, and more than anything else in the world, you wanna get off. And the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going. Well, I can get off right now if I want to. Because even if I ride fifty more years and get off then, it’s still the same place when I step down to it. Whenever I feel like it, I can get off. Whenever I’ve had enough, it’s my stop. I’ve had enough.
I would start off with a lively rag, then would come a ballad, followed by a comedy song and a novelty number, and finally, the hot song. In this way, I left the stage with the audience laughing their heads off.
And I start to say, no. Start to ask him to please just take it off and put it away. Start to explain how it holds far too many memories for me. But then I remember what Damen said once about memories - that they're haunting things. And because I refuse to be haunted by mine - I just take a deep breath and smile when I say, "You know, I think it looks really good on you. You should defiantly keep it.
For me, I try not to think about it too much, because you find that if you think about it too much, then you start to panic at every little thing that goes on in training.
To find one's way anywhere one has to find one's door, just like Alice, you see. You take too much of one thing and you get too big, then you take too much of another and you get too small. You've got to find your own doorway into things.
I never thought I would be cool enough to pull off a leather jacket. But then I found the perfect one, and it's so versatile!
It's not easy. I make snap judgments, too, and I start to write people off. And then I start to remind myself of how I'm constantly asking judges not to write people off. And so then I try to resist it.
If I could choose any car in the world, I'd get a Lamborghini, but I think that's a bit too much money. I'll start off with maybe a V8 or something.
There's something wonderful about taking a tag off a pair of socks, off a shirt, off a jacket. I really think that it has to do with my wanting to give myself all the perks that there are. It's part of my psychosis.
I may film scenes I had no intention of filming; things suggest themselves on location, and we improvise. I try not to think about it too much. Then, in the cutting room, I take the film and start to put it together, and only then do I begin to get an idea of what it is about.
Men shouldn’t try too hard, or think about what they wear too much. I like when there’s something about a look that throws it off a little – perfection is really imperfect.
I'm too professional, too much of a perfectionist to take my eye off the ball.
I get nervous the more time I have to think about something so I deliberately don't give myself too much time between jobs. I take a big break and then I start working again usually.
I think with actors, we tend to get rid of characters - and not get rid of them as in discard them or throw them away, but it's just that you take that jacket off because you're going to be putting a different jacket on.
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