A Quote by James Baldwin

Money, it turned out, was exactly like sex, you thought of nothing else if you didn't have it and thought of other things if you did. — © James Baldwin
Money, it turned out, was exactly like sex, you thought of nothing else if you didn't have it and thought of other things if you did.
What I thought was an end turned out to be a middle. What I thought was a brick wall turned out to be a tunnel. What I thought was an injustice turned out to be a color of the sky.
Movies cost so much that studios really try to impose their personality over yours. A lot of times, you can get swallowed up in that and end up making movies that are indistinguishable from anybody else's. One of the things I've always tried to do is to inject myself as much as possible into the movie, so I feel like it's mine. But that also comes from what you choose to do and what you choose not to do. There are certain projects I could have said yes to, and I know exactly how they would have turned out: exactly the way they turned out when someone else did them.
I thought of nothing else but rock 'n' roll; apart from sex and food and money--but that's all the same thing, really.
Be true to the thought of the moment and avoid distraction. Other than continuing to exert yourself, enter into nothing else, but go to the extent of living single thought by single thought.
How do you tell someone that you weren't the person he thought you were? And more importantly, how did you tell him that you'd meant the things you'd said, when everything else about you turned out to be a lie.
Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.
I always thought I'd write when I retired - when I turned 65. But by the time I was 33, to tell you the truth, I was a little bored with drugs and sex, and I thought I'd do the writing thing.
I did a play in Bolton - 'Billy Liar.' I turned it down at first but then thought, 'What the hell else can I do? I'm no good at anything else.'
The things I thought were so important -- because of the effort I put into them -- have turned out to be of small value. And the things I never thought about, the things I was never able to either to measure or to expect, were the things that mattered.
If you spent your life concentrating on what everyone else thought of you, would you forget who you really were? What if the face you showed the world turned out to be a mask... with nothing beneath it?
Try to remember the moment when all the stupid innocent things you thought about life and love, all the things you thought mattered, all the things you though were true. . .try to remember when they all turned out to be lies. —Kyle
When I grew up I saw females doing certain things, and I thought I had to do that exactly. The female rappers of my day spoke about sex a lot . . . and I thought that to have the success they got, I would have to represent the same thing. When in fact I didn’t have to represent the same thing.
The trick is to keep exploring and not bail out, even when we find out that something is not what we thought. That's what we're going to discover again and again and again. Nothing is what we thought. I can say that with great confidence. Emptiness is not what we thought. Neither is mindfulness or fear. Compassion––not what we thought. Love. Buddha nature. Courage. These are code words for things we don't know in our minds, but any of us could experience them. These are words that point to what life really is when we let things fall apart and let ourselves be nailed to the present moment.
I turned down as many roles that I thought were beyond my abilities as I did ones I thought weren't good enough.
In the late '80s, I think my vision was chasing people out of the room. Nobody else thought like this. I was really this pro-sex feminist.
I thought Chris Benoit was worthy of being a Horseman. I thought Dean Melinko was. Obviously I thought Steven Michael was, though obviously he was inexperienced, I thought he was a perfect fit as a horseman. I did not like the Paul Roma deal. I did not like Sid Vicious or about two or three guys that they put in there, I just couldn?t see it. I couldn?t stomach it, but I had to.
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