A Quote by James W. Loewen

There's no excuse therefore, for a 1,152 page book. I think we should all be using 300-page paperbacks. These exist. — © James W. Loewen
There's no excuse therefore, for a 1,152 page book. I think we should all be using 300-page paperbacks. These exist.
There is no excuse for these 1,152 page textbooks.
With a book you can read the same paragraph four times. You can go back to page 21 when you're on page 300. You can't do that with film. It just charges ahead.
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
Whatever's good about your book should be good on page 1, or very few editors are going to get to page 2.
The enemy is not the badly written page; it is the empty page the great advantage of a badly written page is that it can be rewritten. It can be improved. A blank page is zero. In fact, it’s worse than zero, because it represents territory you’re afraid, unwilling, or too lazy to explore. Avoid exploring this territory long enough, and you’ll abandon your book.
The point of page one is to make people turn to page two and if at the end of the book people think that the book was good value for money, you have achieved something, because if you haven't achieved those things you're not going to achieve the other thing.
A book is something that young readers can experience on their own time. They decide when to turn the page. They'll put their arm right on the page so you can't turn it because they're not ready to go to the next page yet. They just want to look at it again, or they want to read the book over and over because they really enjoy setting the pace themselves.
Every page of content you've created could be the first interaction with your web site.Think of every page as a home page.
My ideal is a book that is perfect on every page, that gives you tremendous aesthetic joy on every page. I suppose I am trying to write such a book.
Tomorrow is the first blank page of a 365-page book. Write a good one.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
There's a difference between knowing what's on the page in a history book and actually feeling that page have curves and valleys.
I wanted to pull down a book, open it proper, and gobble up page after page
We Jews have a special attachment to the Book. The study of page after page in tomes yellowing with age was obligatory.
We are thickly layered, page lying upon page, behind simple covers. And love - it is not the book itself, but the binding.
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