A Quote by James Wan
Hollywood is just so strange. It's like, everyone has a whole bunch of stuff boiling away and whichever one happens first, happens. That one, we're still in the process of, you know, trying to write the script. So, it's still very early stages at this point. Yeah.
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I still want to play for my country, I'm still ambitious. But things like that are out of my control so I'll just concentrate on trying to do well for Celtic and see what happens.
Yet a part of you still believes you can fight and survive no matter what your mind knows. It's not so strange. Where there's still life, there's still hope. What happens is up to God.
The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
Every time I do a play, it's as if I've never done one before. I'm always confused. I always am convinced I'm going to be fired. I'm like, 'I don't remember how to act. I don't know how to do this.' And, it's just a very slow process, and then, all of a sudden, it's just there one day. I still don't understand how it happens.
I usually don't write about my life right when it happens. I process it, and I store it away. Then, when I get in the mood I pull the stuff back out.
The artwork had very little to do with the thought process, and the writing too, for that matter. What happens, happens, and it happens outside the brain.
Where you really have your eggs in one basket and that breach happens and you know you should go but you're still in love and you just don't know what to do. It hits you because it's not like -- you're a cheater, and a liar, and I hate you, and you're no good, and I'm leaving. It's not that. It's like, I'm tormented. Even though you've done this and I know it, I still don't know what to do. I know I should go, but I don't want to. And that's why it's such a f***ed-up thing.
My parents are the ones who really help me be grounded. I still go to school, I still do fun stuff with my friends; for the most part, I am a normal kid. It just so happens that I do some acting too!
I've been through so much. I just live each day, and whatever happens, happens. I've lived a very good life. My life has definitely changed, but the attitude is still the same.
Writing, yeah. Me and my friend Scott Bloom just finished the first rough draft of a script. It's taken us three years to do, but we finally got a first draft. And we'll see whatever happens with that.
I still can't believe it . . . him comin' here everyday, nobody realizin'. Still, that's life: lotta stuff happens under the waterline.
If you're focused on the friendship as its own reward, serendipitous stuff just happens. I know that sounds weird, but I can tell you for our 12 years of existence, it's actually how a lot of stuff happens.
Before, I was writing a script to make a movie. At a certain point, I became A Writer in Film and Television. So I got TV deals to write stuff, film deals to write stuff. But it's dangerous. I got into the WGA, and I became kind of, you know, a slave! They just pay you to write a script, and it's hard to make the movies.
I'm not really hip to too much of the Zen or the Buddhist point of view, but you see I don't have to be because I just know that they're all the same, it's all the same, it's just whichever one you want to take and it happens that I'm taking the Hindu one.
I'm very fatalistic about life. Whatever happens, happens. The imperative for me is that I do my contribution for my people, for my culture. I still want to make films for them. I still want to make films that confront our struggles.
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