A Quote by James Veitch
I had an awkward moment when I got a phone call from the person pretending to be Winnie Mandela. 'Winnie' sounded about 12 years old, unfortunately - she'd probably been pushed to the telephone because she was the only one who spoke English.
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It was my Mum who got me into singing properly - she knew I had to do something with my voice because she knew I was talented. She was the one who pushed me into joining a choir all those years ago, when I was about 12. I remember she told me to start with the choir and just see where it took me.
Chantelle Winnie is my birth name. Chantelle Winnie Harlow, I call her my Sasha Fierce.
Chantelle Brown-Young is my real name. Winnie is my nickname that I was given as a teenager, and it has stuck with me. I've combined my real name and my nick name to create 'Chantelle Winnie.' My alter ego, where I seek confidence when I model, is 'Winnie Harlow.'
Being black and speaking properly are not mutually exclusive. My father was an African, and he spoke beautifully at home. Nelson Mandela speaks beautifully. Should Mandela put his hat on backwards and say, 'Yo, homey, this is Nelson. Yo, Winnie, yo, this is def'?
"Catherine." she paused. I waited, tapping my finger on my desk. Then she spoke words that had me almost falling out of my chair. "I've decided to come to your wedding." I actually glanced at my phone again to see if I'd been mistaken and it was someone else who'd called me. "Are you drunk?" I got out when I could speak. She signed. "I wish you wouldn't marry that vampire, but I'm tired of him coming between us." Aliens replaced her with a pod person, I found myself thinking. That's the only explanation
I have dumped a girl over the phone. It's terrible, isn't it? We got into an argument during a phone call, so I basically said, 'I don't wanna be with you anymore,' and she cried. I saw her after that and it was a bit awkward.
It's hard not to question whether the harsh verdict of Winnie Mandela is a reflection of discomfort with women warriors or, more broadly, with the militant ethos that ultimately became a foil for the popularized representation of Nelson Mandela as the open-armed father of a non-racial nation.
I played Winnie Cooper on 'The Wonder Years' from ages 12-18, and did a few other movies during some of the summers.
Last time I spoke to my mom she called me from a pay phone, and we didn't have the best talk. Ever since my stepdad passed away three years ago, she has been very depressed and hasn't been herself at all.
When I was 12, I wrote a legit song - about having my heart broken, of course, because I was 12 years old going on 40. I sang the song for my mom, and she asked, 'Where did you get that song?' I told her I wrote it, and she said, 'Really?' She looked at my grandparents and just said, 'Oh, boy.'
She was obviously useful at the UN because she had a public persona before she ever got there. She was well known. She was a spokeswoman for many important things. When she got there, what she said was paid attention to, undoubtedly much more than would have been if just Joe Blow had been made our representative to the United Nations. In that sense, I think it was useful to have her there.
I love Elizabeth Taylor. I'm inspired by her bravery. She has been through so much and she is a survivor. That lady has been through a lot and she's walked out of it on two feet. I identify with her very strongly because of our experiences as child stars. When we first started talking on the phone, she told me she felt as if she had known me for years. I felt the same way.
I haven't changed my views much since I was about 12, really, I've just got a 12-year-old mentality.When I was in school I had a brother who was into Kerouac and he gave me On The Road to read when I was 12 years old. That's still been a big influence.
She smiled. She knew she was dying. But it did not matter any longer. She had known something which no human words could ever tell and she knew it now. She had been awaiting it and she felt it, as if it had been, as if she had lived it. Life had been, if only because she had known it could be, and she felt it now as a hymn without sound, deep under the little whole that dripped red drops into the snow, deeper than that from which the red drops came. A moment or an eternity- did it matter? Life, undefeated, existed and could exist. She smiled, her last smile, to so much that had been possible.
Nelson Mandela was in jail when I was really young, and Winnie Mandela was one of the biggest faces of the movement. In South Africa we have a common phrase - it's like a chant in the street and at rallies: "Wathint' abafazi, wathint' imbokodo." Which means, "You strike a woman, you strike a rock."
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
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