A Quote by James Cromwell

Studios are run by those who are way too old or mostly young, who don't think creatively. — © James Cromwell
Studios are run by those who are way too old or mostly young, who don't think creatively.
As you're growing up, it's odd, because directors don't expect you to grow up. They think you'll be young forever, but as an actor, there is an awkward period when you're too young for old or too old for young, and it can be an odd time.
From a young age, I learned to focus on the things I was good at and delegate to others what I was not good at. That's how Virgin is run. Fantastic people throughout the Virgin Group run our businesses, allowing me to think creatively and strategically.
We are all too often told by someone that we are too old, too young, too different, too much the same, and those comments can be devastating.
Too young to hold on and too old to just break free and run
Being old enough to know better but still too young to resist mostly sucks.
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently.
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently
Every other fashion brand out there - including those that I call 'competitors' - are run by mostly old white men, and the customer knows it.
When you are young, you think that the old lament the deterioration of life because this makes it easier for them to die without regret. When you are old, you become impatient with the way in which the young applaud the most insignificant improvements … while remaining heedless of the world’s barbarism. I don’t say things have got worse; I merely say the young wouldn’t notice if they had. The old times were good because then we were young, and ignorant of how ignorant the young can be.
One's mind suffers only when one is young and while one is ignorant of the world. When one has lived for some time, one learns that the young think too little and the old too much, and one grows careless about both.
Recognizing that the world is governed by a minority, the sexually active, and that they hold sway of a huge majority of the nonsexual, those people too young or too old or too poor or too homely or sick or crazy or powerless to be able to afford sexual partners (or the luxury of systematic, sustained and shared introspection, so sexual in its own way). All advertisements and films and songs are addressed to sexuals, to their rash whims and finicky tastes.
When an old man and a young man work together, it can make an ugly sight or a pretty one, depending on who's in charge. If the young man's in charge or won't let the old man take over, the young man's brute strength becomes destructive and inefficient, and the old man's intelligence, out of frustration, grows cruel and inefficient. Sometimes the old man forgets that he is old and tries to compete with the young man's strength, and then it's a sad sight. Or the young man forgets that he is young and argues with the old man about how to do the work, and that's a sad sight, too.
Neither one should hesitate about dedicating oneself to philosophy when young, nor should get tired of doing it when one's old, because no one is ever too young or too old to reach one's soul's healthy.
You size up someone physically in less than one second - too tall, too short, too fat, too thin, too old, too young, too stuffy, too scruffy.
Comedy works in fashion cycles, in a way. And sometimes, studios will imitate those cycles a little too much.
I think it's fantastic when the young enrage their elders. I really do believe that if it's too loud, you are indeed too old, and that if it has been standing for too long, it needs a thorough inspection.
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