A Quote by James Michael Tyler
I honestly always thought my Master's in Fine Arts would get me further in the acting world than knowing how to work an espresso machine!
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I graduated from my Master of Fine Arts program for writing for children and young adults at Vermont College of Fine Arts. Of course, for a master's program, you have to do a ton of reading. I would get up, usually around 5:30, to do my reading; otherwise, I would fall behind.
I've been saying all along that my biggest fear is that someone would program a machine to give a wrong answer. If that were to happen, the machine would still work fine - we just wouldn't know it.
A wonderful world would be a place where we can openly, honestly share things and it's done the same way in return. Do you suppose we're going to get that world anytime soon? I don't expect it. So I am practical. I work to have people close to me whom I can openly and honestly share with. And from that base of safety and trust, I can extend my sharing out into the world.
The difference between the novice and the master is simply that the novice has not learnt, yet, how to do things in such a way that he can afford to make small mistakes. The master knows that the sequence of his actions will always allow him to cover his mistakes a little further down the line. It is this simple but essential knowledge which gives the work of a master carpenter its wonderful, smooth, relaxed, and almost unconcerned simplicity.
I think I would go further into fine arts, I think, if I were to continue.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
The divide between me and the modern world is growing further because I to a larger degree manage to rid myself of my dependence on the modern world. If the modern world collapsed tomorrow I would be fine, and I see so many others who would not be.
Honestly, acting is the most work when you're unemployed. For me, the actual acting part is never hard. It's the politics and basically everything around the acting that is difficult.
If someone is interested in working with me, I would much rather them email me and we sit down or get on the phone, than them look at a client list and decide if I'm worth it or not. It should be based on work, and based on how we get along. As opposed to like, "Oh, he's worked with this, this, and this. Let's go. That's fine."
I have a master's degree in photography as a fine art, and I would call my work primarily conceptual. I don't carry cameras with me wherever I go. I get an idea of a subject matter I want to deal with and I pull out my cameras.
I am always going to be in the hood in my heart, but what I did was added on the masters of arts, fine arts and the doctorate... if you want me to pull that out, I can get very distinguished... but I'm not going there... I don't have to put on airs; the knowledge comes out - just listen.
The fine arts thing at college was always too much for me to think about. What I was more involved in was being successful at arts school.
When I went through a really intense break-up - you know, I was engaged - the thing that gave me the most anxiety was not knowing what to do with myself when Disney wasn't there to carry me anymore or if I didn't have him. And now I'm FREE of both of those things and I'm fine. I lay in bed at night by myself and I'm totally OK and that's so much stronger than the person three years ago, who would have thought they would have died if they didn't have a boyfriend.
When I finished graduate school, I had a master's of fine arts from a prestigious institution, a manuscript that would eventually become my first published book - and almost no marketable skills.
The advice I would give to girls from Eastern backgrounds who are interested in the arts is that it is always beneficial to get your academic studies out of the way before going into the competitive world of the arts.
You can't do a machine without knowing something about how it's going to work. As for the romantics, the costumes bored me and I don't enjoy doing period clothes.
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