A Quote by James Mooney
The dance commonly begins about the middle of the afternoon or later, after sundown. When it begins in the afternoon, there is always an intermission of an hour or two for supper. The preliminary painting and dressing is usually the work of about two hours.
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During the year, when I'm not doing major tournaments, I'll go to the gym for about two to three hours in the morning and practise darts in the afternoon.
Speaking of earning, the revered 40-hour workweek is for losers. Forty hours should be considered the minimum, not the maximum. You don't see highly successful people clocking out of the office every afternoon at five. The losers are the ones caught up in that afternoon rush hour. The winners drive home in the dark.
Summer afternoon, summer afternoon; to me those have always been the two most beautiful words in the English language.
Not every story in history has a beginning, a middle and an end, but the wreck of the Titanic does. It begins when they leave, in the middle it hits an iceberg, and in the final two hours, the ship sinks.
I've only been a mom for not even two years yet, so I haven't had much of a chance. But boy do I wish I could have lunch with my girlfriends in the middle of the afternoon. I don't remember the last time I had lunch in the afternoon with my girlfriends.
I think about my mother singing after lunch on a Summer afternoon, twirling in blue dress across the floor of her dressing room
My average fan works for about $20 per hour, if they are lucky enough to have a job. And then factoring in insurance, taxes and such, they're maybe bringing home $15 per hour. If my tickets are just under $30, it took them about two hours of their life to make the money to come see my show. Why shouldn't I give them two hours too?
I'm not one of those who spring up yelling, "Yippee! Another day!" I'll grumble and sulk around a couple of hours, reading newspapers and trying to pick out an idea I might do something with on the show. But I don't really start functioning until noon or later; then about two I go to the studio and the pace begins to quicken.
One thing about other people, when they come to the gym, they might waste time wrapping hands, doing stretching and things. I don't like that. If I come to the gym, if one hour - all work. If two hours - all. I don't want to do this stuff so I can stay like two hours in the gym training only one hour. I want to do my own - quick, quick.
Here's a pointer culled from the careers of men who have attained notable success: Don't sit in your office during the hours prospects can be seen. Do your office work before or after the hours during which possible customers can be reached. This may mean adding an hour or two quite often to your day's work; but in times like this particularly, the securing of a satisfactory amount of business through the expenditure of an extra hour or two a day is not an unreasonable price to pay.
The wounds were burning like suns at five in the afternoon, and the crowd broke the windows At five in the afternoon. Ah, that fatal five in the afternoon! It was five by all the clocks! It was five in the shade of the afternoon!
I work all day, morning and afternoon, just about every day. If I sit there like that for two or three years, at the end I have a book.
I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.
My wife has told me since that I was hungover every mornng until about two in the afternoon, and from five until midnight I was drunk out of my mind. So she says there was this period of about three hours when she could talk to me like a rational human being.
We say that the hour of death cannot be forecast, but when we say this we imagine that hour as placed in an obscure and distant future. It never occurs to us that it has any connection with the day already begun or that death could arrive this same afternoon, this afternoon which is so certain and which has every hour filled in advance.
We may, indeed, say that the hour of death is uncertain, but when we say this we think of that hour as situated in a vague and remote expanse of time; it does not occur to us that it can have any connexion with the day that has already dawned and can mean that death -- or its first assault and partial possession of us, after which it will never leave hold of us again -- may occur this very afternoon, so far from uncertain, this afternoon whose time-table, hour by hour, has been settled in advance.
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